A close-up of Marina Abramović’s face turned upside down, reddened by the blood running to her head, as she describes her “image of happiness”: she is at home, pregnant, sewing by the fireplace, when her husband arrives, a miner covered in coal dust for whom she prepares a clean shirt and a glass of milk. A description that she repeats over and over again and that contrasts with her own life as an artist that does not fit into traditional gender roles.
Marina Abramović
LIMA