{"id":4929,"date":"2020-10-14T16:29:38","date_gmt":"2020-10-14T14:29:38","guid":{"rendered":"https:\/\/lamostradevalencia.com\/jurado\/"},"modified":"2022-10-13T11:24:57","modified_gmt":"2022-10-13T09:24:57","slug":"jury-2021","status":"publish","type":"page","link":"https:\/\/lamostradevalencia.com\/fr\/2021-edition\/jury-2021\/","title":{"rendered":"Jury International 2021"},"content":{"rendered":"

[vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687382061{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb10527″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

MYRIAM M\u00c9ZI\u00c8RES (FRANCE)<\/h3>\n

Pr\u00e9sidente du jury international<\/h5>\n

N\u00e9e d’un p\u00e8re \u00e9gyptien et d’une m\u00e8re tch\u00e8que, Myriam M\u00e9zi\u00e8res a fait ses d\u00e9buts au cin\u00e9ma \u00e0 l’\u00e2ge de 16 ans. Elle a tourn\u00e9 avec des r\u00e9alisateurs tels que Claude Lelouch, Jean-Pierre Mocky, Andrej Zulawski, Manuel G\u00f3mez Pereira, Cesc Gay, Fernando Arrabal, Yves Boisset, Fernando Merinero et Claude Berri. Elle a travaill\u00e9 avec Alain Tanner sur cinq films, dont Una llama en mi coraz\u00f3n<\/em> (Une flamme dans mon c\u0153ur) en 1987, dont elle a \u00e9t\u00e9 co-sc\u00e9nariste et remport\u00e9 le prix de la meilleure actrice \u00e0 Houston, El diario de Lady M<\/em> (Le journal de Lady M) en 1993 et Flores de sangre<\/em> (Fleurs de sang) en 2002, qu’elle a cor\u00e9alis\u00e9. Elle est la cr\u00e9atrice de spectacles musicaux tels que Extra\u00f1a fruta<\/em> et Carne y sue\u00f1os<\/em> et l’auteur du livre El sol tiene una cita con la luna<\/em> (Le soleil a rendez-vous avec la lune) (Chapiteau, 2018). Sa derni\u00e8re \u0153uvre en tant que r\u00e9alisatrice est le court m\u00e9trage Tinta<\/em> (2020).[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687402258{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb10522″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

MARINA PERALES MARHUENDA (ESPAGNE)<\/h3>\n

Productrice ind\u00e9pendante n\u00e9e \u00e0 Cox en 1982 et sp\u00e9cialis\u00e9e dans les coproductions internationales. Dipl\u00f4m\u00e9e en Communication Audiovisuelle \u00e0 l’Universitat de Val\u00e8ncia<\/em>, dipl\u00f4m\u00e9e en Production \u00e0 l’Atelier Ludwigsburg-Paris \u00e0 la FEMIS (France) et \u00e0 la Filmakademie de Baden-W\u00fcrttemberg (Allemagne). En 2010, elle a cr\u00e9\u00e9 La F\u00e1brica Nocturna Cin\u00e9ma<\/em> \u00e0 Paris, avec laquelle elle a produit des films s\u00e9lectionn\u00e9s et prim\u00e9s aux festivals de Cannes, Berlin, Locarno et Rotterdam, entre autres. Elle est \u00e9galement productrice ex\u00e9cutive chez Coproduction Office, o\u00f9 elle a travaill\u00e9 sur des films de Ruben \u00d6stlund, Jessica Hausner et Michelangelo Frammartino, et fait partie des comit\u00e9s de s\u00e9lection du CNC (France), de MEDIA et de diverses \u00e9coles et institutions cin\u00e9matographiques.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687407556{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb10548″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

JEAN-MICHEL BERNARD (FRANCE)<\/h3>\n

Pianiste, compositeur, \u00e9ducateur et producteur. Auteur de bandes originales de films tels que La ciencia del sue\u00f1o<\/em> (La science du sommeil) (Michel Gondry, 2006), La invenci\u00f3n de Hugo (<\/em>L’invention d’Hugo) (Martin Scorsese, 2011), Paris Manhattan<\/em> (Sophie Lellouche, 2012) et Rebobine, por favor<\/em> (Rembobinez, s’il vous pla\u00eet) (Michel Gondry, 2008). Il a collabor\u00e9 avec Claude Chabrol, Ray Charles, Lalo Schifrin, Ennio Morricone, Francis Veber, Etienne Chatiliez et Fanny Ardant, entre autres. Parmi ses \u0153uvres les plus r\u00e9centes, citons Money,<\/em> de G\u00e9la Babluani (Grand Prix au Festival du film de Bruxelles 2018) et Ballad for a pierced heart<\/em> (Yannis Economides, 2020), nomm\u00e9 aux Prix de l’Acad\u00e9mie du film grec. En 2017, il a re\u00e7u le prix de la Soci\u00e9t\u00e9 des Auteurs, Compositeurs et \u00c9diteurs de Musique et a \u00e9t\u00e9 d\u00e9sign\u00e9 \u00ab\u00a0Artiste Steinway\u00a0\u00bb.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687414272{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb10553″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

NAJWA NAJJAR (PALESTINE)<\/h3>\n

Depuis 2000, elle explore diff\u00e9rents territoires artistiques en tant que r\u00e9alisatrice et sc\u00e9nariste de films documentaires et de fiction qui ont particip\u00e9 \u00e0 des festivals tels que Berlin, Cannes, Locarno et Sundance. Elle a fait ses d\u00e9buts dans le long m\u00e9trage avec Pomegranates<\/em> and Myrrh<\/em> (2009), qui a \u00e9t\u00e9 prim\u00e9 \u00e0 San Sebastian, suivi de Eyes of a Thief<\/em> (2014), choisi comme candidate palestinienne aux Oscars. Son troisi\u00e8me film, Between Heaven and Earth<\/em> (2019), a remport\u00e9 le prix du meilleur sc\u00e9nario au Caire, celui du meilleur acteur \u00e0 Mostra de Val\u00e8ncia et a \u00e9t\u00e9 pr\u00e9s\u00e9lectionn\u00e9 pour les European Film Academy Awards 2020<\/em>. Elle est membre de l’Acad\u00e9mie des Arts et des Sciences du Cin\u00e9ma des \u00c9tats-Unis et travaille actuellement au d\u00e9veloppement d’un film musical intitul\u00e9 Kiss of a Stranger<\/em>.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687419594{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb10558″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

TAREK BEN CHAABANE (TUNISIE)<\/h3>\n

Professeur de th\u00e9orie du cin\u00e9ma \u00e0 l’Universit\u00e9 de Carthage. Il a travaill\u00e9 en tant que r\u00e9dacteur culturel pour plusieurs journaux, magazines et programmes radio. Il a fait partie de l’\u00e9quipe de Sud \u00c9criture, qui organise des ateliers d’aide \u00e0 l’\u00e9criture pour les premiers ou seconds longs m\u00e9trages des pays d’Afrique subsaharienne, du Maghreb et du Moyen-Orient. En tant que sc\u00e9nariste, il a collabor\u00e9 avec les r\u00e9alisateurs Nawfel Saheb-Ettaba, Ridha Behi, Moufida Tlatli et Mohamed Damak. Il a \u00e9t\u00e9 programmateur aux Journ\u00e9es cin\u00e9matographiques de Carthage et dirige actuellement la cin\u00e9math\u00e8que de la Tunisie. Son dernier livre, El cine tunecino de ayer y de hoy (<\/em>Le cin\u00e9ma tunisien d’hier et d’aujourd’hui), publi\u00e9 par le Centre National du Cin\u00e9ma et de l’Image de la Tunisie, a \u00e9t\u00e9 traduit en espagnol et en valencien par Mostra de Val\u00e8ncia.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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