{"id":18235,"date":"2023-06-06T16:19:50","date_gmt":"2023-06-06T14:19:50","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?page_id=18235"},"modified":"2023-06-06T16:42:54","modified_gmt":"2023-06-06T14:42:54","slug":"jury-international-2022","status":"publish","type":"page","link":"https:\/\/lamostradevalencia.com\/fr\/edition-2022\/jury-international-2022\/","title":{"rendered":"Jury International 2022"},"content":{"rendered":"

[vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687382061{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb17034″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

EVANTHIA REBOUTSIKA (Gr\u00e9ce)<\/h3>\n

Pr\u00e9sidente du jury<\/h5>\n

Elle est l’une des plus importantes compositrices grecques dans le domaine des bandes sonores et de la chanson populaire, avec plusieurs disques d’or et de platine. En tant que violoniste, elle s’est produite dans des festivals du monde entier. Parmi ses partitions figure celle de \u00ab\u00a0Un ciel \u00e9pic\u00e9\u00a0\u00bb <\/em>(Tassos Boulmetis, 2003), qui a \u00e9t\u00e9 prim\u00e9e au Festival de Thessalonique. Avec la bande originale de \u00ab\u00a0Mon p\u00e8re et mon fils\u00a0\u00bb (Cagan Irmak, 2005), elle a remport\u00e9 le prix Discovery aux World Soundtrack Awards et le Radyo Bo\u011fazi\u00e7i M\u00fczik \u00d6d\u00fclleri Score of the Year Award<\/em>. Honor\u00e9e du Lion d’or d’Alexandrie pour sa contribution culturelle, elle a \u00e9galement \u00e9t\u00e9 r\u00e9compens\u00e9e au London Greek Festival pour \u00ab\u00a0Letters Never Received\u00a0\u00bb (Elias Demetriou, 2007) et aux International Movie Awards \u00e0 Rome pour \u00ab\u00a0The Unlost Homeland\u00a0\u00bb (Eftyhia Fragou, 2021).[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687382061{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb17029″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

EHAB ASSAL (Palestine)<\/h3>\n

Il a commenc\u00e9 \u00e0 travailler comme premier assistant cam\u00e9raman dans les ann\u00e9es 1990 sur plus de trente productions hollywoodiennes telles que \u00ab\u00a0La justice au c\u0153ur\u00a0\u00bb (Billy Bob Thornton, 1996), \u00ab\u00a0Les routes du paradis\u00a0\u00bb (Robert Duvall, 1997) et\u00a0\u00ab\u00a0R\u00e9v\u00e9lations\u00a0\u00bb (Michael Mann, 1999), sous les ordres de directeurs de la photographie tels que Vilmos Zsigmond, Dante Spinotti et Barry Markowitz. En Palestine, il poursuit son travail de cam\u00e9raman tout en cr\u00e9ant la soci\u00e9t\u00e9 de production Yellow Dawn, qui a particip\u00e9 \u00e0 \u00ab\u00a0Le temps qu’il reste\u00a0\u00bb (Elia Suleiman, 2009) ou \u00ab\u00a0Amazing Love\u00a0\u00bb (Kevin Downes, 2012) et a produit plusieurs courts m\u00e9trages pour des r\u00e9alisateurs d\u00e9butants. Son premier film en tant que directeur de la photographie est \u00ab\u00a0Omar\u00a0\u00bb (Hany Abu-Assad, Roudania Hatoum, 2013), pour lequel il a re\u00e7u le prix Silver Frog aux Camerimage Awards 2014.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687382061{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb17039″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

LANA BARIC (Croatie)<\/h3>\n

Dipl\u00f4m\u00e9e en com\u00e9die en 2005 \u00e0 l’Acad\u00e9mie des Arts du spectacle de Sarajevo, elle a jou\u00e9 dans plus de quarante pi\u00e8ces de th\u00e9\u00e2tre, films et s\u00e9ries t\u00e9l\u00e9vis\u00e9es, remportant de nombreux prix. Apr\u00e8s avoir \u00e9crit plusieurs courts m\u00e9trages, elle a fait ses d\u00e9buts dans le long m\u00e9trage avec \u00ab\u00a0Tereza37\u00a0\u00bb (Danilo Serbedzija, 2020), qui a remport\u00e9 le prix du meilleur sc\u00e9nario au Festival du film de Pula et a \u00e9t\u00e9 s\u00e9lectionn\u00e9 par la Croatie pour concourir aux Oscars. Sa premi\u00e8re r\u00e9alisation a \u00e9t\u00e9 le court m\u00e9trage \u00ab\u00a0Snow White\u00a0\u00bb (2022), dans lequel elle a \u00e9galement \u00e9crit le sc\u00e9nario et jou\u00e9 le r\u00f4le principal. Elle travaille actuellement sur \u00ab\u00a0Eve After The Fall\u00a0\u00bb, son premier long m\u00e9trage de fiction. Elle a \u00e9t\u00e9 vice-pr\u00e9sidente de l’Association des cin\u00e9astes croates de 2018 \u00e0 2022 et est membre du Conseil audiovisuel croate.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687382061{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb17044″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

MAR\u00cdA M\u00cdNGUEZ (Espagne)<\/h3>\n

Dipl\u00f4m\u00e9e en journalisme et en communication audiovisuelle, elle s’est form\u00e9e \u00e0 la New York Film Academy.<\/p>\n

Elle a commenc\u00e9 sa carri\u00e8re au sein de la soci\u00e9t\u00e9 de production Conta Conta, dans des programmes tels que Socarrats<\/em> et Autoindefinits<\/em>, avant de se lancer dans l’\u00e9criture de sc\u00e9narios de longs m\u00e9trages, qui ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s dans divers laboratoires et programmes de d\u00e9veloppement. En 2019, elle a sorti son premier film en tant que sc\u00e9nariste, \u00ab\u00a0Vivir dos veces\u00a0\u00bb (en anglais, \u00ab\u00a0Live twice, love once\u00a0\u00bb) (Mar\u00eda Ripoll, 2019), qui a remport\u00e9 le prix Berlanga du meilleur sc\u00e9nario et a re\u00e7u une nomination aux prix Forqu\u00e9. Elle est \u00e9galement cosc\u00e9nariste du film \u00ab\u00a0Amor en Polvo\u00a0\u00bb (en anglais, \u00ab\u00a0instant love\u00a0\u00bb) (Suso Imbern\u00f3n, Juanjo Moscard\u00f3 Rius, 2019), r\u00e9compens\u00e9 par le prix de la meilleure com\u00e9die au festival Cinequest (\u00c9tats-Unis). Son \u0153uvre la plus r\u00e9cente est \u00ab\u00a0Unicornios\u00a0\u00bb (\u00c1lex Lora, 2022). Elle est pr\u00e9sidente de l’Association valencienne des sc\u00e9naristes et enseigne l’\u00e9criture de sc\u00e9narios \u00e0 l’\u00e9cole Barreira.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1602687382061{margin-top: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb17049″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb2\/3″ css=\u00a0\u00bb.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

PIERRE-SIMON GUTMAN (France)<\/h3>\n

R\u00e9dacteur en chef adjoint du magazine de critique cin\u00e9matographique L’Avant Sc\u00e8ne Cin\u00e9ma <\/em>et membre de la Fipresci. Apr\u00e8s ses \u00e9tudes de Litt\u00e9rature \u00e0 la Sorbonne, il a r\u00e9dig\u00e9 sa th\u00e8se de doctorat sur le cin\u00e9aste am\u00e9ricain Michael Cimino. Il a collabor\u00e9 avec des m\u00e9dias tels que 3 Couleurs, Les Fiches du Cin\u00e9ma <\/em>et Eclipse(s),<\/em> entre autres. Il enseigne \u00e0 l’ESRA (\u00c9cole Sup\u00e9rieure de R\u00e9alisation Audiovisuelle) \u00e0 Paris et \u00e0 Bruxelles, et a pr\u00e9c\u00e9demment enseign\u00e9 aux universit\u00e9s Paris VII et Nancy 2. Il a r\u00e9alis\u00e9 plusieurs courts m\u00e9trages et fait partie depuis des ann\u00e9es du comit\u00e9 de s\u00e9lection et de programmation de la Semaine de la Critique du Festival de Cannes, o\u00f9 il a \u00e9galement \u00e9t\u00e9 membre du jury qui d\u00e9cerne la Cam\u00e9ra d’or du meilleur premier film du concours.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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