{"id":34356,"date":"2026-11-10T16:54:47","date_gmt":"2026-11-10T15:54:47","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=34356"},"modified":"2026-11-10T16:54:47","modified_gmt":"2026-11-10T15:54:47","slug":"nanni-moretti-ilker-cataks-golden-bear-winner-and-four-spanish-films-to-compete-for-mostra-de-valencias-audience-award","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/en\/nanni-moretti-ilker-cataks-golden-bear-winner-and-four-spanish-films-to-compete-for-mostra-de-valencias-audience-award\/","title":{"rendered":"Nanni Moretti, \u0130lker \u00c7atak\u2019s Golden Bear winner and four Spanish films to compete for Mostra de Val\u00e8ncia\u2019s Audience Award"},"content":{"rendered":"
La Cabina to showcase ten international titles from France, Greece, Lebanon, Portugal and Morocco<\/strong><\/h5>\n
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Valencia, 26 October 2026.<\/strong> The Xaloc section of the 41st Mostra de Val\u00e8ncia\u2013Cinema del Mediterrani, taking place from 3 to 15 November, will bring together eleven features competing for the \u20ac10,000 City of Valencia Audience Award. Screenings will run from 6 to 11 November at Cines Babel and ABC Park. The selection includes one international premiere, two Spanish premieres and eight regional premieres in the Valencian Community, combining arthouse films recognised at major festivals with mainstream comedy, documentary and explorations of historical memory. Four films are debut features, and four are directed by women whose work explores patriarchal power structures across the Mediterranean through desire and female emancipation<\/strong>.<\/p>\n

Legendary Italian filmmaker Nanni Moretti will feature twice in the section. First, with ‘Suceder\u00e1 esta noche’, the adaptation of Eshkol Nevo\u2019s novel that marked his first return to the Venice competition since 1989<\/strong>, starring Louis Garrel and Jasmine Trinca, with music by Alberto Iglesias and the participation of Basque production company Irusoin. Second, with ‘Caro Nanni’, in which Pablo Maqueda rides a Vespa from Madrid to Rome, following in the footsteps of ‘Caro diario’,<\/strong> with contributions from Isabel Coixet and Margherita Buy. The film had its world premiere in Seminci\u2019s Tiempo de Historia section. Joining them is ‘Cartas de estado’<\/strong>, by \u0130lker \u00c7atak, winner of the Golden Bear at the latest Berlinale<\/strong>, in which the director of ‘The Teachers\u2019 Lounge’ portrays a Turkish artist couple who lose everything under state pressure.<\/p>\n

Mainstream comedy also features prominently, with two Spanish premieres. ‘La vita va cos\u00ec’, by Riccardo Milani<\/strong>, which opened the 2025 Rome Film Fest and topped the Italian box office, pits a Sardinian shepherd against a businessman seeking to build a luxury resort on his land. ‘Santo Antonio \u2013 O Casamenteiro de Lisboa’, by Portuguese-French director Ruben Alves (‘The Gilded Cage’), featuring Paco Le\u00f3n in the cast<\/strong>, turns Lisbon\u2019s traditional St Anthony\u2019s weddings into a comedy about two officials forced to reinvent the celebrations following the arrival of a multinational corporation.<\/p>\n

New voices from Cannes and Venice<\/strong><\/p>\n

The debut features arrive with the backing of major festivals<\/strong>. From Cannes\u2019 Un Certain Regard section, where both competed for the Cam\u00e9ra d\u2019Or, come ‘Oc\u00e9ano tit\u00e1nico’, by Greek filmmaker Konstantina Kotzamani<\/strong>, a co-production with Spanish participation, shot in Japanese and set in a boarding school that trains teenagers to become professional mermaids, and ‘Yesterday the Eye Didn’t Sleep’, by Palestinian filmmaker Rakan Mayasi<\/strong>, filmed without a screenplay and inspired by his grandmother\u2019s forced marriage. Greek filmmaker Evi Kalogiropoulou<\/strong>, whose film premiered at Venice Critics\u2019 Week, presents ‘Gorgon\u00e0’<\/strong>, the story of a woman who challenges the patriarchal order of a city ruled by armed men.<\/p>\n

Spanish and Valencian cinema complete the selection. ‘Todo es c\u00e1rcel’, by Eloy Enciso,<\/strong> produced by Filmika Galaika and Umbracle Cine, won the Grand Prix of the International Competition at FIDMarseille<\/strong> with a journey through Franco\u2019s concentration camps, beginning in the port of Alicante at the end of the Spanish Civil War. ‘Salen las lobas’, the debut feature by Claudia Estrada Tarasc\u00f3, an Audiovisual Communication graduate from the Universitat Polit\u00e8cnica de Val\u00e8ncia\u2019s Gandia campus, arrives following its screening at Seminci. It tells the story of a group of teenage girls in a residential care centre brought together by trap music. The Mostra will also host the premiere of ‘Facundo Mart\u00ednez, de Mislata a Kioto’, by Mar Navarro Herraiz<\/strong>, with music by Isabel Latorre, a portrait of the builder who left his mark on Valencia in the 1960s and 1970s, and whose admirers proudly proclaim that they live in a \u201cFacundo\u201d<\/strong>.<\/p>\n

La Cabina: grief, ageing and female bonds<\/strong><\/p>\n

The medium-length film section La Cabina also returns. Incorporated last year as a competitive section, it revived the spirit of the festival held in Valencia since 2008, which had established itself as one of the world\u2019s leading showcases for productions running between 30 and 60 minutes \u2014 a format traditionally sidelined by commercial distribution and general film festivals.<\/p>\n

This year, La Cabina presents ten medium-length films, all Spanish premieres, screening from 6 to 13 November at Cines Babel. The selection features titles from France, Greece, Lebanon, Portugal and Morocco, with women filmmakers taking centre stage: seven of the ten films are directed or co-directed by women<\/strong>.<\/p>\n

Grief, ageing and female bonds run through much of the selection. ‘Au bain des dames’, by Margaux Fournier<\/strong>, winner of the C\u00e9sar for Best Documentary Short Film, offers a non-judgemental look at a group of retired women who meet daily on a Marseille beach to talk about love, sex and the passage of time. Actor Victoire Du Bois<\/strong> \u2014 who has worked with directors including Luca Guadagnino and Christophe Honor\u00e9 \u2014 makes her directorial debut with ‘A Bitter End’<\/strong>, an intimate drama about a woman facing an existential crisis. ‘Ch\u00e8re Marcelle’, by Juliette Marr\u00e9cau,<\/strong> follows four friends trying to save their friendship from silence, while Anna Borie<\/strong>, in ‘\u00c0 Rosa’,<\/strong> portrays a teenage girl from an oyster-farming family confronting her father\u2019s death. ‘Two Tetas’, by Lynn El Safah<\/strong>, winner of Best Short Film at the Cairo International Film Festival, portrays two Lebanese sisters who have made denial their way of surviving war and the passage of time. Identity and wartime memory also underpin ‘Casting for a Film: Ihsan’s Diary’<\/strong>, in which Lebanese artist Lamia Joreige<\/strong> turns a casting session in Beirut into a reflection on the First World War and the devastating present engulfing the region. The film premiered in the Berlinale\u2019s Forum Expanded.<\/p>\n

Following its screening at Cannes\u2019 Directors\u2019 Fortnight and its Jean Vigo Award for Best Short Film, Sa\u00efd Hamich Benlarbi\u2019s<\/strong> evocative ‘\u00c0 la recherche de l’oiseau gris aux rayures vertes’<\/strong> travels south of Marrakech with a tormented, widowed water diviner searching for a mythical bird. Elements of the fantastic emerge in the Greek films ‘Ludyas’, by Akis Polizos, and ‘The Great Organ’, by Michalis Kimonas and Roxanne Krimizi<\/strong>, intimate portraits of loneliness experienced by children and people with mental health conditions, respectively. Meanwhile, Portuguese filmmaker Miguel Munh\u00e1<\/strong>, who is also presenting his project ‘Capricorn Syndrome’ at Val\u00e8ncia Film Afers, explores how family memory is inscribed in the body in his poetic essay film ‘P\u00e1ssaro Azul’<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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La Cabina to showcase ten international titles from France, Greece, Lebanon, Portugal and Morocco Valencia, 26 October 2026. 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