{"id":4729,"date":"2019-11-01T03:34:14","date_gmt":"2019-11-01T01:34:14","guid":{"rendered":"https:\/\/lamostradevalencia.com\/full-de-ruta-divendres-1\/"},"modified":"2019-11-01T03:37:03","modified_gmt":"2019-11-01T01:37:03","slug":"full-de-ruta-divendres-1","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/full-de-ruta-divendres-1\/","title":{"rendered":"FULL DE RUTA. DIVENDRES 1."},"content":{"rendered":"\n

La cloenda \u00e9s l’activitat destacada del dia. La gala se celebrar\u00e0 en el Teatre Principal i en ella es donaran a con\u00e8ixer els premis de la Secci\u00f3 Oficial a Competici\u00f3. A m\u00e9s, Ferzan Ozpetek rebr\u00e0 la Palmera d’Honor del festival i es projectar\u00e0 la pel\u00b7l\u00edcula POETAS DEL CIELO, un documental del mexic\u00e0 Emilio Maill\u00e9 que proposa un recorregut de llarg a llarg del planeta a fi d\u2019indagar en la relaci\u00f3 de la pirot\u00e8cnia amb diferents pa\u00efsos i cultures, centrant-se en els creadors m\u00e9s rellevants d’aquest art i en el seu proc\u00e9s creatiu i emotiu. Un film que ens transporta de manera inconscient cap a una reflexi\u00f3 sobre la vida i que establix un paral\u00b7lelisme entre el cel i la pantalla de cinema, amb els focs artificials cobrant el m\u00e0xim protagonisme de les imatges. El vincle de Val\u00e8ncia amb la pirot\u00e8cnia converteix la ciutat en una de les escales del film, que ofereix una mirada sobre les Falles i la masclet\u00e0 com mai abans s’havia vist.<\/p>\n\n

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Poetas del Cielo<\/figcaption><\/figure>\n

Encara que la competici\u00f3 internacional roman en el punt mort de con\u00e8ixer els t\u00edtols premiats, que es projectaran durant el cap de setmana, el festival no descansa. Prova d’aix\u00f2 \u00e9s que oferix la possibilitat de rescatar alguns t\u00edtols del cicle dedicat a l’edat d’or de la com\u00e8dia italiana, com ara PAJARITOS Y PAJARRACOS, LA MARCHA SOBRE ROMA, SEDUCIDA Y ABANDONADA, LA ESCAPADA o RUFUF\u00da DA EL GOLPE. De la mateixa manera, tamb\u00e9 \u00e9s possible redescobrir la primera pel\u00b7l\u00edcula de Toni Canet, AMANECE COMO PUEDAS (BENIFOTREM).<\/p>\n\n

I els qui hagen seguit la retrospectiva centrada en les directores eg\u00edpcies contempor\u00e0nies tenen l’oportunitat d’acostar-se a WOMEN WHO LOVED CINEMA, un magn\u00edfic documental en el qual Marianne Khoury es capbussa en els arxius f\u00edlmics del seu pa\u00eds per a establir un cens de les dones que van canviar la ind\u00fastria del cinema egipci en els anys vint i trenta del segle XX. Sense elles, hauria sigut impossible l’exist\u00e8ncia de les quals han visitat la Mostra enguany.<\/p>\n\n

\"\"
El juego de Ripley<\/figcaption><\/figure>\n

La raci\u00f3 habitual de Liliana Cavani en la Filmoteca inclou EL JUEGO DE RIPLEY, adaptaci\u00f3 de la novel\u00b7la hom\u00f2nima de Patricia Highsmith protagonitzada per un exquisit John Malkovich. Va ser l’\u00faltima pel\u00b7l\u00edcula de la directora per a la gran pantalla, i va ser aclamada per cr\u00edtica i p\u00fablic en la seua estrena mundial, que va tindre lloc en el Festival de Ven\u00e8cia.<\/p>\n\n

Bon dia tamb\u00e9 per a completar la filmografia de Ferzan Ozpetek, amb fins a quatre projeccions de les seues pel\u00b7l\u00edcules, entre les quals hi ha alguns t\u00edtols que mai van arribar a les sales comercials espanyoles: ISTANBUL KIRMIZISI, UN GIORNO PERFETTO, TENGO ALGO QUE DECIROS i CUORE SACRO.<\/p>\n\n

I, per a completar el men\u00fa de hui, tres pel\u00b7l\u00edcules de la Secci\u00f3 Informativa amb suficients atractius com per a apostar per elles. El m\u00e9s important, que es tracta d’estrenes a Espanya i que \u00e9s molt possible que no hi haja m\u00e9s oportunitats per a veure-les. \u00c9s el cas de DIAMOND DUST, un film que recorre les \u00faltimes d\u00e8cades d’hist\u00f2ria eg\u00edpcia a trav\u00e9s d’una absorbent hist\u00f2ria d’intriga i que dirigix amb notable estil Marwan Hamed, conegut per la seua adaptaci\u00f3 del reeixit best seller mundial \u2018El edificio Yacobi\u00e1n\u2019 (2006). Tampoc ser\u00e0 f\u00e0cil accedir despr\u00e9s de la Mostra a MAR, l’\u00faltima pel\u00b7l\u00edcula de la portuguesa Margarida Gil, que proposa un viatge de connotacions simb\u00f2liques per un Mediterrani esguitat de conflictes socials i pol\u00edtics. Maria de Medeiros \u00e9s un dels principals reclams del film. Finalment, la francesa HEAD ABOVE WATER, on destaca tamb\u00e9 l’actriu protagonista, Diane Rouxel, en un tour de force interpretatiu en el qual encarna a una dona amb discapacitat funcional. No \u00e9s poc, i cal aprofitar que estem en la recta final i que \u00e9s festiu. Toca traure el m\u00e0xim partit a les \u00faltimes hores de la Mostra 2019.<\/p>\n\n

\"\"
Head Above Water<\/figcaption><\/figure>\n

Informaci\u00f3 addicional sobre horaris, sales i venda d’entrades anticipades en la nostra web: www.lamostradevalencia.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La cloenda \u00e9s l’activitat destacada del dia. La gala se celebrar\u00e0 en el Teatre Principal i en ella es donaran a con\u00e8ixer els premis de […]<\/p>\n","protected":false},"author":1,"featured_media":4726,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-4729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"\nFULL DE RUTA. 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