{"id":34387,"date":"2026-11-12T17:17:38","date_gmt":"2026-11-12T16:17:38","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=34387"},"modified":"2026-11-12T17:18:00","modified_gmt":"2026-11-12T16:18:00","slug":"calle-de-los-angeles-una-satira-sobre-lespeculacio-immobiliaria-al-cor-del-cabanyal","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/calle-de-los-angeles-una-satira-sobre-lespeculacio-immobiliaria-al-cor-del-cabanyal\/","title":{"rendered":"\u2018Calle de los \u00c1ngeles\u2019: una s\u00e0tira sobre l\u2019especulaci\u00f3 immobili\u00e0ria al cor del Cabanyal"},"content":{"rendered":"<h5><i><span style=\"font-weight: 400\">Silvia Rey Canudo converteix la compra d\u2019un pis en ru\u00efnes en una autoficci\u00f3 morda\u00e7 que competeix per la Palmera d\u2019Or<\/span><\/i><\/h5>\n<p><span style=\"font-weight: 400\">Rodada \u00edntegrament en escenaris reals del Cabanyal, &#8216;Calle de los \u00c1ngeles&#8217;, que arriba hui a la Secci\u00f3 Oficial de la 41a Mostra de Val\u00e8ncia-Cinema del Mediterrani, parteix d\u2019una experi\u00e8ncia autobiogr\u00e0fica de la seua directora, <\/span><b>Silvia Rey Canudo<\/b><span style=\"font-weight: 400\">, per a construir un retrat inc\u00f2mode i morda\u00e7 de les contradiccions de la gentrificaci\u00f3 i del mercat immobiliari. \u00abDes que vaig comen\u00e7ar, vaig dir: ac\u00ed hi ha pel\u00b7l\u00edcula\u00bb, ha confessat la cineasta en la roda de premsa, en qu\u00e8 ha estat acompanyada per part de l\u2019equip i per diversos ve\u00efns del barri que participen en el film.<\/span><\/p>\n<p><span style=\"font-weight: 400\">La pel\u00b7l\u00edcula se situa en 2022, el tercer any de la pand\u00e8mia, al n\u00famero 68 del carrer dels \u00c0ngels, l\u2019\u00fanic edifici de la zona que continua sense rehabilitar i on la mateixa directora t\u00e9 sa casa. All\u00ed va arribar Silvia, una dona de classe acomodada que, despr\u00e9s de viure diversos anys a M\u00e8xic, creu que ja ho ha vist tot i descobreix al barri ecos de Lisboa, Brasil o Cuba. Despr\u00e9s de disset anys estalviant amb la seua parella, Joao, per a una hipoteca, veu les cases en subhasta i decideix invertir els seus estalvis en un pis en ru\u00efnes, els \u00faltims inquilins del qual van morir de sobredosi. Era el moment en qu\u00e8, des de 2016, el nou govern municipal s\u2019entestava a recuperar el Cabanyal.<\/span><\/p>\n<p><span style=\"font-weight: 400\">El que semblava una oportunitat prompte es converteix en un parany: els problemes administratius, les dificultats per a rehabilitar l\u2019immoble i els conflictes amb els ve\u00efns desencadenen una particular guerra freda de conviv\u00e8ncia i burocr\u00e0cia, en qu\u00e8 la protagonista arriba a debatre\u2019s entre avisar o no els bombers i convertir-se en c\u00f2mplice d\u2019un homicidi imprudent. A l\u2019edifici conviuen una fam\u00edlia inversora, un home amb esquizofr\u00e8nia i una dona en situaci\u00f3 d\u2019extrema vulnerabilitat, a m\u00e9s dels fantasmes de Calle de los \u00c1ngeles, 68. A trav\u00e9s d\u2019aquest microcosmos, Rey construeix una s\u00e0tira sobre la carrera especulativa que q\u00fcestiona les fronteres entre els qui transformen els barris i els qui en pateixen les conseq\u00fc\u00e8ncies, sense deixar d\u2019interrogar-se sobre les seues pr\u00f2pies contradiccions. \u00abFa deu anys vaig trobar el pis dels meus somnis, o l\u2019\u00fanic que em podia permetre, per\u00f2 en un entorn que estava molt lluny de ser id\u00edl\u00b7lic\u00bb, explica la directora, que amb el temps va comprendre que aquella oportunitat estava lligada a la desgr\u00e0cia dels qui hi havien viscut abans.<\/span><\/p>\n<p><b>Humor negre sense burla<\/b><\/p>\n<p><span style=\"font-weight: 400\">Trobar el to va ser, segons la cineasta, el m\u00e9s dif\u00edcil: \u00abIr\u00f2nic i d\u2019humor negre, per\u00f2 alhora sense que siga una burla de cap manera. Al capdavall, \u00e9s un homenatge al barri\u00bb. Les primeres reaccions dels ve\u00efns, de diferents colors pol\u00edtics, li confirmen que se senten reflectits. \u00abVolia ser realista i sincera encara que fora inc\u00f2mode. <\/span><b>Si hem d\u2019idealitzar la gent i el que passa als nostres barris, no t\u00e9 cap inter\u00e9s<\/b><span style=\"font-weight: 400\">\u00bb, ha defensat. Per a no eximir-se a si mateixa, va triar que la veu en off fora d\u2019una altra persona: \u00abSi era jo, em protegia; si era alg\u00fa de fora, podia ficar-me canya\u00bb. Una autoironia que considera \u00abmolt valenciana, murciana, mediterr\u00e0nia: ens riem molt de les nostres desgr\u00e0cies\u00bb. Tant, que el muntador va arribar a enfadar-se pel final \u2014\u00abqu\u00e8 pensar\u00e0 la gent de tu?\u00bb\u2014 i ella mateixa va arribar nerviosa a la Mostra: \u00abVaig pensar: igual no puc tornar a Val\u00e8ncia\u00bb.<\/span><\/p>\n<p><span style=\"font-weight: 400\">La idea inicial era donar m\u00e9s veu als ve\u00efns, gitanos, romanesos i de tota condici\u00f3, que la van rebre \u00abamb molta curiositat\u00bb i li obrien les portes de sa casa. Per\u00f2, despr\u00e9s de publicar-se una foto del projecte en la premsa local, un ve\u00ed que venia droga al carrer va vetar el rodatge en aquella zona, i la pel\u00b7l\u00edcula va girar cap a la ficci\u00f3. Al c\u00e0sting no s\u2019hi va presentar ning\u00fa, i quan el director de producci\u00f3 va proposar rec\u00f3rrer a escoles d\u2019interpretaci\u00f3, Rey s\u2019hi va negar: <\/span><b>\u00abEstem en 2022, no pots posar gent a fer de gitano o de ionqui. Ha de ser la mateixa gent\u00bb<\/b><span style=\"font-weight: 400\">. L\u2019equip va eixir a buscar int\u00e8rprets pels carrers del barri, amb un resultat del qual es declara \u00absuperorgullosa\u00bb. La m\u00fasica tamb\u00e9 va n\u00e0ixer de la necessitat: el muntatge inicial utilitzava m\u00fasica chicha peruana i m\u00fasica ex\u00f2tica sense drets, i la compositora Marisol Cao Mill\u00e1n va proposar una soluci\u00f3: \u00abVinga, fem una c\u00fambia\u00bb. Una banda sonora que, al seu parer, \u00abli dona eixe humor que saps que no \u00e9s seri\u00f3s\u00bb i aporta un leitmotiv a la gentrificaci\u00f3, entre el conte i el surrealisme.<\/span><\/p>\n<p><b>Deu anys per a entendre l\u2019habitatge<\/b><\/p>\n<p><span style=\"font-weight: 400\">La pel\u00b7l\u00edcula enlla\u00e7a tamb\u00e9 amb Lorca, el poble de la directora, on despr\u00e9s del terratr\u00e9mol la idea era reconstruir i on hui tampoc \u00e9s f\u00e0cil trobar casa. Rey reconeix que la seua pr\u00f2pia lectura ha canviat amb els anys: \u00abFa deu anys pensava que era una gentrificadora amateur\u00bb. Va ser al mercat d\u2019IDFA on una professional li va capgirar el relat: <\/span><b>\u00abEm va dir: tu no est\u00e0s parlant de gentrificaci\u00f3, sin\u00f3 de la caiguda de l\u2019estat del benestar\u00bb<\/b><span style=\"font-weight: 400\">, d\u2019una classe mitjana que ja no pot comprar i acaba ocupant l\u2019espai de les classes marginals. Hui, separada, reivindica eixe pis com la seua \u00fanica seguretat, com \u00abmoltes dones de la meua generaci\u00f3, que no tindrem ni jubilaci\u00f3\u00bb. I adverteix del cercle vici\u00f3s: \u00abSi tu est\u00e0s pagant una barbaritat, has de cobrar una barbaritat a l\u2019altre, i aix\u00ed tots en escala\u00bb. Per aix\u00f2, conclou, el m\u00e9s interessant de la pel\u00b7l\u00edcula \u00ab\u00e9s que conta fets sense intentar donar explicacions; l\u2019explicaci\u00f3 ja us la podeu anar fent vosaltres\u00bb.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Llicenciada en Comunicaci\u00f3 Audiovisual per la Universidad Complutense de Madrid i formada en el M\u00e0ster de Documental de Creaci\u00f3 de la Universitat Pompeu Fabra, Silvia Rey Canudo va ser nominada al Goya per &#8216;Wan Xia. La \u00faltima luz del atardecer&#8217;. &#8216;Calle de los \u00c1ngeles&#8217;, produ\u00efda per Limbus Filmak, va passar per espais professionals com D&#8217;A Film Lab Barcelona i FIDBA Link, on va obtindre el Premi \u00c0 Punt, i per Val\u00e8ncia Film Afers, el f\u00f2rum de coproducci\u00f3 de la Mostra.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Silvia Rey Canudo converteix la compra d\u2019un pis en ru\u00efnes en una autoficci\u00f3 morda\u00e7 que competeix per la Palmera d\u2019Or Rodada \u00edntegrament en escenaris reals [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":34391,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-34387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018Calle de los \u00c1ngeles\u2019: una s\u00e0tira sobre l\u2019especulaci\u00f3 immobili\u00e0ria al cor del Cabanyal - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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