{"id":34382,"date":"2026-11-12T13:58:09","date_gmt":"2026-11-12T12:58:09","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=34382"},"modified":"2026-11-12T14:02:17","modified_gmt":"2026-11-12T13:02:17","slug":"gaza-en-la-mostra-de-valencia-fins-i-tot-entre-bombes-la-gent-busca-afecte-sexe-o-una-cigarreta","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/gaza-en-la-mostra-de-valencia-fins-i-tot-entre-bombes-la-gent-busca-afecte-sexe-o-una-cigarreta\/","title":{"rendered":"Gaza en la Mostra de Val\u00e8ncia: \u201cFins i tot entre bombes, la gent busca afecte, sexe o una cigarreta\u201d"},"content":{"rendered":"
Competeixen hui ‘Chronicles from the siege’, d’Abdallah Al-Khatib, i ‘Hear the Yellow’, de la turca Banu S\u0131vac\u0131los<\/span><\/h5>\n

\u00a0La Secci\u00f3 Oficial de la Mostra de Val\u00e8ncia-Cinema del Mediterrani intensifica la seua competici\u00f3 amb dos nous llargmetratges. ‘Chronicles from the siege’, el relat de superviv\u00e8ncia filmat per Abdallah Al-Khatib, i ‘Hear the Yellow’, de la cineasta turca Banu S\u0131vac\u0131los, que aborda els secrets del passat en una Anat\u00f2lia marcada per la sequera.<\/span><\/p>\n

Despr\u00e9s de l’impacte del seu debut documental, ‘Little Palestine’, Al-Khatib fa el salt a la ficci\u00f3 amb un film que entrella\u00e7a les vides de diversos ciutadans atrapats en una ciutat sense nom sota l’amena\u00e7a constant dels bombardejos.<\/span> El seu punt de partida \u00e9s la seua pr\u00f2pia experi\u00e8ncia al camp de refugiats de Yarmouk.<\/b> \u00abVaig comen\u00e7ar amb el documental perqu\u00e8 tenia una c\u00e0mera i em vaig posar a registrar la situaci\u00f3\u00bb, ha explicat hui en roda de premsa. \u00abHi ha fets que no es poden narrar amb els elements del documental, i \u00e9s ac\u00ed on rec\u00f3rrec a la ficci\u00f3. Quan no puc documentar, ficci\u00f3\u00bb. <\/span>La pel\u00b7l\u00edcula, que busca retratar \u00abcom les condicions del setge modelen la psicologia i la moral de les persones corrents\u00bb,<\/b> s’articula en cinc relats amb un fil conductor, el personatge d’Arafat, i cinc necessitats b\u00e0siques: la fam, el refugi, el plaer, la sang i l’atenci\u00f3 m\u00e8dica. \u00abSota un setge, cada dia \u00e9s una batalla per a aconseguir-les. No hi ha marge per a pensar en la universitat o en on estar\u00e0s d’ac\u00ed a cinc anys. Se sobreviu dia a dia\u00bb.<\/span><\/p>\n

L’humor negre i la tendresa que afloren entre les bombes no busquen alleujar l’espectador, sin\u00f3 ser fidels al que s’ha viscut. \u00abFins i tot en una situaci\u00f3 tan extrema, la gent continua buscant coses quotidianes: afecte, sexe, una cigarreta. <\/span>Per a mi era fonamental no crear un heroi ni retratar una v\u00edctima perfecta\u00bb<\/b>, ha subratllat. \u00abJo vaig estar en aquella situaci\u00f3 i vaig fer coses de les quals hui m’avergonyisc, per\u00f2 era l’\u00fanica manera de sobreviure. No \u00e9rem cap \u00e0ngel\u00bb.<\/span> El seu objectiu, ha afegit, \u00e9s preservar la dignitat de les persones que retrata: \u00abVull que el p\u00fablic isca de les hist\u00f2ries de Palestina amb un sentiment de solidaritat, no plorant de pena\u00bb.<\/b> Una urg\u00e8ncia que tamb\u00e9 t\u00e9 a veure amb all\u00f2 material: \u00abA m\u00e9s de les persones, es perden les coses estimem i les cases. El 80% dels gazatins no t\u00e9 llar\u00bb.<\/span><\/p>\n

La producci\u00f3 tamb\u00e9 ha sigut una forma de resist\u00e8ncia. El rodatge va comen\u00e7ar sense subvencions, nom\u00e9s amb la inversi\u00f3 del seu productor, i \u00fanicament en la fase de postproducci\u00f3 van rec\u00f3rrer a fons p\u00fablics d’Alg\u00e8ria, Tun\u00edsia, el Marroc i Qatar. <\/span>\u00abNo vol\u00edem esperar cinc anys per a rodar una cosa que consider\u00e0vem urgent, i vol\u00edem demostrar que es pot fer cinema sense dependre dels fons europeus i salvaguardar la independ\u00e8ncia de l’obra\u00bb<\/b>, ha explicat el director. Amb localitzacions a Fran\u00e7a, Alg\u00e8ria i Jord\u00e0nia \u2014una persecuci\u00f3 comen\u00e7a en un pa\u00eds i acaba en un altre sense que l’espectador se n’adone\u2014, l’equip es va bolcar en el projecte a canvi de molt poc. \u00abEns va faltar diners, per\u00f2 la moneda amb qu\u00e8 vam tirar avant aquest projecte va ser l’amor col\u00b7lectiu per la pel\u00b7l\u00edcula\u00bb, ha resumit el seu productor. Al-Khatib ho t\u00e9 clar: \u00abNi amb un mili\u00f3 de d\u00f2lars hauria aconseguit un resultat millor\u00bb.<\/span><\/p>\n

Hear the Yellow’: les escletxes de la terra i de la fam\u00edlia<\/b><\/h2>\n

Huit anys despr\u00e9s de conquerir la Palmera d’Or amb ‘G\u00fcvercin’ (‘The Pigeon’), que tamb\u00e9 es va endur els premis al millor actor, gui\u00f3, fotografia i banda sonora, <\/span>Banu S\u0131vac\u0131 torna a la Secci\u00f3 Oficial amb ‘Hear the Yellow’, estrenada en el Forum de la Berlinale. <\/b>La pel\u00b7l\u00edcula segueix Suna, una cantant que torna al llogaret de la seua inf\u00e0ncia quan la sequera ha esquerdat la terra i la casa familiar s’ensorra al mateix ritme que els vincles entre els seus habitants. La cineasta no ha pogut acompanyar el seu film: segons ha explicat hui la seua protagonista, la cantant l\u00edrica Selva Erdener, no va aconseguir obtindre el visat per a viatjar a Espanya, ni tan sols una cita per a tramitar-lo. \u00abElla lamenta molt\u00edssim no haver pogut estar ac\u00ed\u00bb, ha assenyalat.<\/span><\/p>\n

Solista d’\u00f2pera amb una llarga carrera internacional, dels Pa\u00efsos Baixos a Nova York, Erdener debuta com a protagonista en el cinema gr\u00e0cies a un missatge inesperat de S\u0131vac\u0131, a qui no coneixia. \u00abDes de xiqueta, la meua major il\u00b7lusi\u00f3 era actuar en una pel\u00b7l\u00edcula. Li vaig dir que s\u00ed immediatament\u00bb, ha recordat. Al conservatori, ha contat, confessava als seus companys que en realitat volia ser actriu de cinema: \u00abTenia dos somnis, ser actriu i ser cantant, i al final no vaig haver de triar\u00bb. Reconeix que els primers dies de rodatge li van costar, perqu\u00e8 no sabia \u00abqu\u00e8 significava carregar sobre els muscles un llargmetratge sencer\u00bb, per\u00f2 a poc a poc es va sentir cada vegada m\u00e9s c\u00f2moda.<\/span><\/p>\n

Per a construir Suna, l’actriu es va deixar portar per l’entorn natural i pels animals que poblen la hist\u00f2ria, atenta a \u00abcom reaccionava el meu cos i com miraven els meus ulls\u00bb. \u00abEn la nostra pel\u00b7l\u00edcula hi ha moltes escletxes: les de les ferides profundes dins de la fam\u00edlia i les provocades per la sequera\u00bb, ha explicat. El film, afegeix, posa en relleu la lluita contra un problema que hui colpeja tot el planeta, per\u00f2 tamb\u00e9 com poden arribar a ser de tenses les relacions familiars, i planteja \u00abun dels dilemes m\u00e9s importants del nostre temps: anar-se’n o quedar-se\u00bb, i si la felicitat est\u00e0 a marxar o a enfrontar-se a les pr\u00f2pies veritats.<\/span><\/p>\n

Sobre la m\u00fasica, central en la pel\u00b7l\u00edcula, Erdener ha precisat que va parlar molt amb la directora durant el rodatge, encara que les decisions van ser de S\u0131vac\u0131, que fins i tot va triar la can\u00e7\u00f3 que ella interpreta en pantalla. La gata que la protagonista busca i mai no troba encarna, segons ha explicat, el buit que deixa la desaparici\u00f3 mai aclarida d’una germana. I ha celebrat el moment que viu el cinema del seu pa\u00eds:<\/span> \u00abEl cinema turc s’interessa cada vegada m\u00e9s per les realitats, i no per les fantasies, i ha establit una relaci\u00f3 m\u00e9s sincera amb la seua pr\u00f2pia llengua, el seu poble i la seua terra\u00bb.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Competeixen hui ‘Chronicles from the siege’, d’Abdallah Al-Khatib, i ‘Hear the Yellow’, de la turca Banu S\u0131vac\u0131los \u00a0La Secci\u00f3 Oficial de la Mostra de Val\u00e8ncia-Cinema […]<\/p>\n","protected":false},"author":10,"featured_media":34379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-34382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"\nGaza en la Mostra de Val\u00e8ncia: \u201cFins i tot entre bombes, la gent busca afecte, sexe o una cigarreta\u201d - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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