{"id":34183,"date":"2026-11-09T17:16:34","date_gmt":"2026-11-09T16:16:34","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=34183"},"modified":"2026-11-09T17:12:50","modified_gmt":"2026-11-09T16:12:50","slug":"la-tercera-pel%c2%b7licula-valenciana-en-competicio-aborda-els-dilemes-del-cinema-independent","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/la-tercera-pel%c2%b7licula-valenciana-en-competicio-aborda-els-dilemes-del-cinema-independent\/","title":{"rendered":"La tercera pel\u00b7l\u00edcula valenciana en competici\u00f3 aborda els dilemes del cinema independent"},"content":{"rendered":"<h5><strong>La Secci\u00f3 Oficial presenta \u2018La gran fiesta del cine\u2019 i \u2018A Turkish Case\u2019, el debut del turc H\u00fcseyin Aydin<\/strong><\/h5>\n<h5>La Mostra de Val\u00e8ncia-Cinema del Mediterrani ha rebut hui els equips de les dos noves pel\u00b7l\u00edcules que competixen per la Palmera d\u2019Or: &#8216;La gran fiesta del cine&#8217;, dirigida per Toni Agust\u00ed i Mar\u00eda S. Torregrosa, i &#8216;A Turkish Case&#8217;, \u00f2pera prima del cineasta turc H\u00fcseyin Aydin G\u00fcrsoy. Dos propostes que exploren les contradiccions de la societat contempor\u00e0nia.<\/p>\n<p>&#8216;La gran fiesta del cine&#8217; \u00e9s una com\u00e8dia dram\u00e0tica que oferix una mirada morda\u00e7 sobre els dilemes del cinema independent, la gesti\u00f3 dels egos i el preu de l\u2019\u00e8xit. Rodada en temps real i al llarg d\u2019una \u00fanica jornada, la pel\u00b7l\u00edcula situa l\u2019espectador al centre d\u2019una reuni\u00f3 travessada per les tensions, les ambicions personals i els conflictes morals dels seus protagonistes.<\/p>\n<p>Presentada en el Festival de M\u00e0laga, la hist\u00f2ria es desenvolupa cinc anys despr\u00e9s del rodatge de \u2018La \u00faltima cena\u2019, una pel\u00b7l\u00edcula experimental realitzada sense pressupost que va acabar convertint-se en un \u00e8xit inesperat. Per a celebrar els beneficis obtinguts, l\u2019equip art\u00edstic i t\u00e8cnic original torna a reunir-se. No obstant aix\u00f2, el que comen\u00e7a com una trobada festiva prompte deriva en un enfrontament pel repartiment dels diners, les aspiracions individuals i el vertader sentit de la creaci\u00f3 col\u00b7lectiva.<\/p>\n<p>Durant la roda de premsa, Toni Agust\u00ed i Mar\u00eda S. Torregrosa van explicar les particularitats d\u2019un proc\u00e9s creatiu basat en \u00abla llibertat interpretativa i la improvisaci\u00f3\u00bb. Els directors van detallar que les indicacions inicials al repartiment van ser deliberadament escasses: \u00abLa principal consigna consistia a plantejar a cada int\u00e8rpret qu\u00e8 volia fer el seu personatge amb els diners, perqu\u00e8 defensara eixa posici\u00f3 de partida. A partir d\u2019ac\u00ed, algunes directrius ocultes contribu\u00efen a generar tensions i alimentar el conflicte\u00bb. Un m\u00e8tode de treball, un tipus d\u2019experiment en qu\u00e8 \u00abel menys important \u00e9s el resultat financer\u00bb. Sense q\u00fcestionar la necessitat de remunerar dignament el treball en la ind\u00fastria cinematogr\u00e0fica, van explicar que rodar sense un gui\u00f3 tancat \u00ablleva molta pressi\u00f3\u00bb i permet situar el projecte en un terreny essencialment l\u00fadic i creatiu.<\/p>\n<p>L\u2019acceptaci\u00f3 i l\u2019escolta m\u00fatua van ser tamb\u00e9 dos dels pilars fonamentals del rodatge. L\u2019actriu Lorena L\u00f3pez va explicar que l\u2019equip va treballar sota la premissa del \u00abtot s\u00ed\u00bb, incorporant a la ficci\u00f3 qualsevol circumst\u00e0ncia que sorgira durant la gravaci\u00f3, fins i tot situacions reals com dolors o coixeses dels companys. \u00abL\u2019objectiu era jugar sense restriccions i evitar que els personatges quedaren encotillats en una interpretaci\u00f3 r\u00edgida\u00bb, van matisar els directors, que van ressaltar que els actors estan entrenats precisament per a \u00abacceptar la realitat que et proposa l\u2019altre i desenvolupar-la\u00bb.<\/p>\n<p>El muntatge i la il\u00b7luminaci\u00f3, van relatar, van representar alguns dels majors desafiaments t\u00e8cnics de la producci\u00f3, condicionada pel car\u00e0cter imprevisible de les escenes: \u00abL\u2019equip va acumular prop de 20 hores de material en brut, gravat amb tres c\u00e0meres, que van donar lloc a dos anys de treball d\u2019edici\u00f3 a c\u00e0rrec del muntador Jaime D\u00edaz\u00bb. Per la seua banda, el director de fotografia,Enrique Bar\u00f3 Ubach, va explicar que la proposta visual es va construir \u00aba partir d\u2019una il\u00b7luminaci\u00f3 m\u00ednima i una gran flexibilitat davant dels imprevistos. En un rodatge d\u2019estes caracter\u00edstiques, intentar anticipar cada situaci\u00f3 pot resultar contraproduent\u00bb. La seua comesa va consistir, per tant, a estar atent a all\u00f2 inesperat i permetre que \u00abel misteri estiga sobretot en l\u2019accident\u00bb.<\/p>\n<p>De cara a la seua estrena, l\u2019equip va avan\u00e7ar que contemplen un recorregut limitat per sales a finals d\u2019any, acompanyat d\u2019una estrat\u00e8gia de promoci\u00f3 alternativa que permeta defendre el valor d\u2019una producci\u00f3 \u00abs\u00faper mega menuda que ha arribat molt lluny\u00bb. La pel\u00b7l\u00edcula destaca per la seua exig\u00e8ncia t\u00e8cnica i per una for\u00e7a narrativa constru\u00efda des de la improvisaci\u00f3 i el treball col\u00b7lectiu d\u2019un repartiment amb una \u00e0mplia traject\u00f2ria. El repartiment est\u00e0 encap\u00e7alat per Marta Belenguer, Amparo Fern\u00e1ndez, Carlos Gorbe, Lorena L\u00f3pez, Carles Sanjaime i Alejandro Velasco.<\/p>\n<p><strong>En les fronteres de la identitat i la just\u00edcia<\/strong><\/p>\n<p>La segona pel\u00b7l\u00edcula presentada durant la jornada, &#8216;A Turkish Case&#8217;, suposa el debut en el llargmetratge del realitzador H\u00fcseyin Aydin G\u00fcrsoy. A trav\u00e9s d\u2019un relat judicial carregat de tensi\u00f3, la cinta aborda q\u00fcestions com la immigraci\u00f3, el racisme i la corrupci\u00f3 institucional, posant el focus en els conflictes d\u2019identitat i pertinen\u00e7a que travessen l\u2019Europa contempor\u00e0nia.<\/p>\n<p>La hist\u00f2ria seguix Mathieu, un ambici\u00f3s advocat parisenc que ha deixat arrere les seues arrels per a obrir-se cam\u00ed en els cercles m\u00e9s influents de la societat francesa. La seua prometedora carrera professional trontolla quan rep l\u2019enc\u00e0rrec de defendre un jove compatriota que ha patit una brutal agressi\u00f3 racista a mans d\u2019un membre del Parlament Europeu. El que inicialment sembla un procediment judicial m\u00e9s acaba destapant una complexa trama de corrupci\u00f3 i interessos pol\u00edtics. Davant d\u2019esta situaci\u00f3, el protagonista haur\u00e0 de decidir entre protegir la seua posici\u00f3 i les aspiracions professionals o mantindre&#8217;s fidel als seus principis i als seus or\u00edgens.<\/p>\n<p>Despr\u00e9s de la seua bona acollida cr\u00edtica i del seu recorregut per les sales franceses, la pel\u00b7l\u00edcula arriba a la Mostra amb una mirada sobre les din\u00e0miques de representaci\u00f3, pertinen\u00e7a i integraci\u00f3 en l\u2019Europa actual. El seu director, <strong>H\u00fcseyin Aydin G\u00fcrsoy, va explicar que un dels punts de partida del projecte va ser analitzar com l\u2019ambici\u00f3 professional pot entrar en conflicte amb la lleialtat a la pr\u00f2pia comunitat.<\/strong> Una tensi\u00f3 que, en la seua opini\u00f3, transcendix l\u2019experi\u00e8ncia individual del protagonista i connecta amb alguns dels debats pol\u00edtics i socials m\u00e9s rellevants del present.<\/p>\n<p>El cineasta va assenyalar, aix\u00ed mateix, que la pel\u00b7l\u00edcula <strong>planteja una cr\u00edtica a la classe pol\u00edtica francesa i examina les contradiccions dels processos d\u2019integraci\u00f3 cultural i assimilaci\u00f3 de la comunitat turca.<\/strong> La discriminaci\u00f3 cap a la poblaci\u00f3 immigrant ocupa un lloc central en este plantejament, que evita oferir una \u00fanica perspectiva i proposa, en paraules del director, <strong>una \u00abcr\u00edtica de totes les parts\u00bb implicades en l\u2019entramat social.<\/strong><\/p>\n<p>L\u2019int\u00e8rpret protagonista va destacar que esta experi\u00e8ncia ha connectat especialment amb el p\u00fablic d\u2019origen turc a Fran\u00e7a. Segons va explicar, molts espectadors d\u2019esta comunitat s\u2019han reconegut en el personatge i en eixe sentiment de trobar-se permanentment entre dos identitats, sense arribar a sentir-se plenament part de cap d\u2019elles.<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>La Secci\u00f3 Oficial presenta \u2018La gran fiesta del cine\u2019 i \u2018A Turkish Case\u2019, el debut del turc H\u00fcseyin Aydin La Mostra de Val\u00e8ncia-Cinema del Mediterrani [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":34186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-34183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"<!-- 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