{"id":34117,"date":"2026-11-07T18:26:21","date_gmt":"2026-11-07T17:26:21","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=34117"},"modified":"2026-11-07T18:26:47","modified_gmt":"2026-11-07T17:26:47","slug":"del-desglac-a-islandia-a-la-resiliencia-rural-valenciana-finestra-projecta-la-pieta-i-cowgirl","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/del-desglac-a-islandia-a-la-resiliencia-rural-valenciana-finestra-projecta-la-pieta-i-cowgirl\/","title":{"rendered":"Del desgla\u00e7 a Isl\u00e0ndia a la resili\u00e8ncia rural valenciana: Finestra projecta ‘La Piet\u00e0’ i ‘Cowgirl’"},"content":{"rendered":"
Dos noves produccions valencianes exploren els vincles amb la natura a trav\u00e9s del documental i la ficci\u00f3<\/span><\/i><\/h5>\n

La Mostra ha presentat hui les dues noves produccions que conformen la seua secci\u00f3 Finestra: el documental \u2018La Piet\u00e0\u2019, dirigit per la dupla de cineastes Rafa Mol\u00e9s i Pep Andreu, i el llargmetratge de ficci\u00f3 \u2018Cowgirl\u2019, codirigit per Cristina Fern\u00e1ndez Pintado i Miguel Llorens. Dues mirades profundes sobre la mem\u00f2ria, la p\u00e8rdua, la resist\u00e8ncia humana i la vinculaci\u00f3 vital amb l’entorn.<\/span><\/p>\n

Un dol \u00edntim davant de la crisi clim\u00e0tica<\/b><\/p>\n

\u2018La Piet\u00e0\u2019 proposa una immersi\u00f3 en la Isl\u00e0ndia rural per a relatar com, fa m\u00e9s d’un segle, Flosi Bj\u00f6rnsson i els seus huit germans es van a\u00efllar volunt\u00e0riament als peus del Vatnaj\u00f6kull, la glacera m\u00e9s gran de l’illa. Sense contraure matrimoni ni deixar descend\u00e8ncia, van consagrar tota la seua vida a observar i registrar el comportament d’este col\u00f3s de gel molt abans que l’escalfament global marcara l’agenda p\u00fablica. La seua granja, hui abandonada, servix com a paral\u00b7lelisme po\u00e8tic entre l’extinci\u00f3 d’una fam\u00edlia i la desaparici\u00f3 progressiva del seu propi paisatge.<\/span><\/p>\n

La idea de filmar en una glacera acompanyava Mol\u00e9s i Andreu des que van visitar Isl\u00e0ndia per separat fa m\u00e9s de 20 anys. No obstant aix\u00f2, el principal repte creatiu, assenyala Pep Andreu, \u00abva ser evitar el t\u00edpic reportatge centrat exclusivament en com es desgelen estes masses naturals\u00bb. El punt d’inflexi\u00f3 va arribar gr\u00e0cies al seu soci local, Olafur, que els va parlar d’esta granja rec\u00f2ndita. \u00abEn visitar el lloc, vam saber immediatament que all\u00ed tenien una hist\u00f2ria \u00edntima capa\u00e7 d’abordar la crisi clim\u00e0tica des de la mem\u00f2ria i el dol\u00bb.<\/span><\/p>\n

Com explica el realitzador, la pel\u00b7l\u00edcula busca que l’espectador experimente un \u00abdol ecol\u00f2gic actiu\u00bb. \u00abQuan un paisatge desapareix, tamb\u00e9 s’esvaeix una part de la mem\u00f2ria de qui va aprendre a viure al seu costat\u00bb, assenyala Andreu, que a m\u00e9s reivindica \u00abla bellesa com un acte pol\u00edtic capa\u00e7 de mobilitzar-nos i fer-nos passar a l’acci\u00f3\u00bb. Davant de la pregunta de per qu\u00e8 dos realitzadors valencians decidixen filmar a Isl\u00e0ndia, Andreu respon que, des del seu cor art\u00edstic, \u00abla desaparici\u00f3 de les glaceres \u00e9s una q\u00fcesti\u00f3 que ens afecta a tots i, d’una manera molt especial, a la Mediterr\u00e0nia\u00bb.<\/span><\/p>\n

Esta coproducci\u00f3 internacional \u2014a la qual es va sumar el realitzador litu\u00e0 Ar\u016bnas Matelis i que va comptar amb el suport de RTVE, \u00c0 Punt Media i les televisions nacionals d’Isl\u00e0ndia i Litu\u00e0nia\u2014 va adquirir una for\u00e7a inesperada durant la investigaci\u00f3. L’equip va trobar de manera imprevista els diaris originals de Flosi i una valuosa pel\u00b7l\u00edcula dom\u00e8stica en color rodada el 1950 que mostrava les expedicions familiars, materials que van permetre condensar esta poderosa mem\u00f2ria en 82 minuts de metratge.<\/span><\/p>\n

El documental arriba avalat per <\/span>les seues sis nominacions als Premis Lola Gaos de l\u2019Acad\u00e8mia de l’Audiovisual Valenci\u00e0<\/b>, una fita que els directors celebren amb un orgull especial en irrompre en categories t\u00e8cniques habitualment copades per la ficci\u00f3. A aix\u00f2 s’afig, assenyala el director, el \u00abbestial disseny sonor per a insuflar \u00e0nima a la granja, la banda sonora expressiva gravada al costat d’una orquestra lituana i l’extraordin\u00e0ria direcci\u00f3 de fotografia, que va treballar estrictament sota les complexes exig\u00e8ncies de la llum natural islandesa\u00bb.<\/span><\/p>\n

Resist\u00e8ncia, humanitat i nous comen\u00e7aments<\/b><\/p>\n

Per la seua banda, la vessant de ficci\u00f3 de Finestra la completa \u2018Cowgirl\u2019, dirigida per Cristina Fern\u00e1ndez Pintado i Miguel Llorens, amb Javier Polo en la producci\u00f3 a trav\u00e9s de The Fly Hunter. La trama seguix Empar, una ramadera de 60 anys que necessita desesperadament que la seua vaca Tona quede prenyada per a salvar la seua explotaci\u00f3 de la ru\u00efna. Encara que ho aconseguix despr\u00e9s de m\u00faltiples intents, la gestaci\u00f3 resulta ser d’alt risc. Amb el suport de Bernat i Riqui, un jove acabat d’arribar al poble, Empar s’enfrontar\u00e0 a la incomprensi\u00f3 de la seua comunitat i descobrir\u00e0 que mai \u00e9s tard per a emprendre un nou comen\u00e7ament.<\/span><\/p>\n

La pel\u00b7l\u00edcula compta amb un repartiment coral de primer nivell que inclou <\/span>Isabel Rocatti, Pep Mun\u00e9, Carlos Cuevas, Joaqu\u00edn Climent, Carles Sanjaime, Ver\u00f2nica Andr\u00e9s, \u00c0ngel F\u00edgols, Mamen Garc\u00eda, Amparo Fern\u00e1ndez, Jorge Silvestre, Maria Maroto, Ram\u00f3n R\u00f3denas, Joan Manuel Gurillo i Manuel Maestro.<\/b><\/p>\n

La codirectora Cristina Fern\u00e1ndez Pintado destaca que esta \u00e9s la seua segona pel\u00b7l\u00edcula al costat de Miguel Llorens despr\u00e9s de \u2018Cosas a hacer antes de morir\u2019. <\/span>Un repte maj\u00fascul en l’entorn de la muntanya<\/b> que \u00abha sigut un regal amable i ple d’honestedat en estos temps tan foscos; est\u00e0 molt b\u00e9 asseure’s en una sala de cinema per a rebre un poc d’humanitat i vore un raig de llum\u00bb.<\/span><\/p>\n

La cineasta va afegir que la pel\u00b7l\u00edcula \u00abparla de la maduresa, que el desig existix i que hi ha noves oportunitats; mostra que no som caducs, com decidix la societat\u00bb, jugant amb el paral\u00b7lelisme entre la vaca i Isabel, alhora que suposa \u00abuna reivindicaci\u00f3 clara del talent valenci\u00e0 amb un c\u00e0sting fant\u00e0stic\u00bb.<\/span><\/p>\n

Per la seua banda, el codirector Miguel Llorens va preferir allunyar el projecte de les etiquetes convencionals per a identificar-lo m\u00e9s amb un \u00abg\u00e8nere vital\u00bb. Llorens va explicar que \u00abla gestaci\u00f3 del vedell es convertix en una met\u00e0fora de la continu\u00eftat de la vida\u00bb, articulant una hist\u00f2ria en qu\u00e8 conviuen la com\u00e8dia, el drama, les relacions intergeneracionals, l’ajuda entre ve\u00efns i \u00abla mateixa exist\u00e8ncia\u00bb.<\/span><\/p>\n

Per a rodar amb una vaca, explica el director, van partir d’una premissa: \u00abPer a rodar hist\u00f2ria natural cal fer un exercici d’humilitat i adaptaci\u00f3; eres tu qui s’ha d’adaptar a l’animal\u00bb. Tamb\u00e9 hi va haver c\u00e0sting de vaques perqu\u00e8 \u00abvol\u00edem una vaca aut\u00f2ctona i al final en vam trobar una en una ramaderia, una vaca mansa, de Castell\u00f3, Canelita. Vam tindre molta sort: una vaca molt tranquil\u00b7la que va conviure amb m\u00e9s de 40 persones de l’equip. Vam tindre molta sort amb la protagonista\u00bb.<\/span><\/p>\n

Finalment, el productor Javier Polo va detallar la intrahist\u00f2ria de com es va gestar el projecte i va explicar el cam\u00ed que els va portar fins a este relat: \u00abEns va arribar el gui\u00f3 i ens va agradar molt perqu\u00e8 connectava amb moltes coses que ens interessen. Rodar a la muntanya la vida rural, per\u00f2 no des d’un punt de vista urb\u00e0, sin\u00f3 des d’un punt de vista de conviv\u00e8ncia, de compartir eixa vida\u00bb.<\/span><\/p>\n

A m\u00e9s, va afegir, plantejava una protagonista de m\u00e9s de 65 anys que \u00abportava un passat, per\u00f2 que tamb\u00e9 afrontava un futur\u00bb, un impuls per la vida que els va motivar a fer la pel\u00b7l\u00edcula. Polo va concloure assenyalant que l’entorn triat va ser la comarca dels Ports, els voltants de Morella i la Tinen\u00e7a de Benifass\u00e0, \u00abun espai amb una natura molt potent\u00bb i d’una biodiversitat excepcional al Pa\u00eds Valenci\u00e0.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Dos noves produccions valencianes exploren els vincles amb la natura a trav\u00e9s del documental i la ficci\u00f3 La Mostra ha presentat hui les dues noves […]<\/p>\n","protected":false},"author":10,"featured_media":34123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-34117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"\nDel desgla\u00e7 a Isl\u00e0ndia a la resili\u00e8ncia rural valenciana: Finestra projecta 'La Piet\u00e0' i 'Cowgirl' - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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