{"id":33605,"date":"2026-10-26T11:07:26","date_gmt":"2026-10-26T10:07:26","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=33605"},"modified":"2026-10-26T11:14:03","modified_gmt":"2026-10-26T10:14:03","slug":"nanni-moretti-los-dor-dilker-catak-i-quatre-films-espanyols-lluitaran-pel-premi-del-public-de-mostra-de-valencia","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/nanni-moretti-los-dor-dilker-catak-i-quatre-films-espanyols-lluitaran-pel-premi-del-public-de-mostra-de-valencia\/","title":{"rendered":"Nanni Moretti, l\u2019\u00d3s d\u2019Or d\u2019\u0130lker \u00c7atak i quatre films espanyols lluitaran pel Premi del P\u00fablic de Mostra de Val\u00e8ncia"},"content":{"rendered":"<h5 class=\"wp-block-heading\"><strong>La Cabina oferir\u00e0 deu estrenes internacionals procedents de Fran\u00e7a, Gr\u00e8cia, el L\u00edban, Portugal i el Marroc<\/strong><\/h5>\r\n<!-- \/wp:post-content -->\r\n<p><!-- wp:paragraph -->La secci\u00f3 Xaloc de la 41a Mostra de Val\u00e8ncia-Cinema del Mediterrani, que se celebrar\u00e0 del 3 al 15 de novembre, reunir\u00e0 onze llargmetratges que competiran pel Premi del P\u00fablic Ciutat de Val\u00e8ncia, dotat amb 10.000 euros, i que es projectaran entre el 6 i l\u201911 de novembre als Cines Babel i ABC Park. La selecci\u00f3 inclou una estrena internacional, dues estrenes a Espanya i huit a la Comunitat Valenciana, i combina el cinema d\u2019autor guardonat en els grans festivals amb la com\u00e8dia popular, el documental i la mem\u00f2ria hist\u00f2rica. Quatre de les pel\u00b7l\u00edcules s\u00f3n \u00f2peres primes i quatre estan dirigides per dones, <strong>que exploren, des del desig i l\u2019emancipaci\u00f3 femenina, les estructures de poder patriarcals del Mediterrani<\/strong>.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->El m\u00edtic cineasta itali\u00e0 Nanni Moretti tindr\u00e0 una pres\u00e8ncia doble en la secci\u00f3. D\u2019una banda, amb &#8216;Suceder\u00e1 esta noche&#8217;, l\u2019adaptaci\u00f3 de la novel\u00b7la d\u2019Eshkol Nevo amb qu\u00e8 el cineasta itali\u00e0 <strong>va tornar a la competici\u00f3 de Ven\u00e8cia per primera vegada des de 1989<\/strong>, protagonitzada per Louis Garrel i Jasmine Trinca, amb m\u00fasica d\u2019Alberto Iglesias i participaci\u00f3 de la productora basca Irusoin. De l\u2019altra, <strong>&#8216;Caro Nanni&#8217;, en qu\u00e8 Pablo Maqueda recorre en Vespa el cam\u00ed de Madrid a Roma seguint les petjades de &#8216;Caro diario&#8217;,<\/strong> amb la participaci\u00f3 d\u2019Isabel Coixet i Margherita Buy; la pel\u00b7l\u00edcula es va estrenar mundialment en la secci\u00f3 Tiempo de Historia de la Seminci. A aquestes s\u2019afig <strong>&#8216;Cartas de estado&#8217;<\/strong>, d\u2019\u0130lker \u00c7atak, <strong>guanyadora de l\u2019\u00d3s d\u2019Or en l\u2019\u00faltima Berlinale<\/strong>, en qu\u00e8 el director de &#8216;Sala de profesores&#8217; retrata una parella d\u2019artistes turcs que ho perd tot sota la pressi\u00f3 de l\u2019Estat.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->La com\u00e8dia popular tamb\u00e9 t\u00e9 el seu espai amb dues estrenes a Espanya. <strong>&#8216;La vita va cos\u00ec&#8217;, de Riccardo Milani<\/strong>, que va inaugurar la Festa del Cinema di Roma de 2025 i va liderar la taquilla italiana, enfronta un pastor sard amb un empresari que vol construir un complex de luxe en les seues terres. <strong>&#8216;Santo Antonio \u2013 O Casamenteiro de Lisboa&#8217;, del portugu\u00e9s-franc\u00e9s Ruben Alves (&#8216;La jaula dorada&#8217;), amb Paco Le\u00f3n en el repartiment<\/strong>, converteix les tradicionals noces de Sant Antoni de Lisboa en una com\u00e8dia sobre dos funcionaris obligats a reinventar-les davant l\u2019arribada d\u2019una multinacional.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph --><strong>Noves veus des de Cannes i Ven\u00e8cia<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->Les <strong>\u00f2peres primes arriben avalades pels grans festivals<\/strong>. Des de la secci\u00f3 Un Certain Regard de Cannes, on totes dues optaven a la C\u00e0mera d\u2019Or, arriben <strong>&#8216;Oc\u00e9ano tit\u00e1nico&#8217;, de la grega Konstantina Kotzamani<\/strong>, una coproducci\u00f3 amb participaci\u00f3 espanyola rodada en japon\u00e9s i ambientada en un internat que forma adolescents com a sirenes professionals, i <strong>&#8216;Yesterday the Eye Didn&#8217;t Sleep&#8217;, del palest\u00ed Rakan Mayasi<\/strong>, rodada sense gui\u00f3 i inspirada en el matrimoni for\u00e7at de la seua \u00e0via. <strong>La grega Evi Kalogiropoulou<\/strong>, estrenada en la Setmana de la Cr\u00edtica de Ven\u00e8cia, signa amb <strong>&#8216;Gorgon\u00e0&#8217;<\/strong> la hist\u00f2ria d\u2019una dona que desafia l\u2019ordre patriarcal d\u2019una ciutat dominada per homes armats.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph --><strong>El cinema espanyol i valenci\u00e0 completa la selecci\u00f3. &#8216;Todo es c\u00e1rcel&#8217;, d\u2019Eloy Enciso,<\/strong> produ\u00efda per Filmika Galaika i Umbracle Cine, <strong>va obtindre el Gran Premi de la Competici\u00f3 Internacional de FIDMarseille<\/strong> amb un recorregut pels camps de concentraci\u00f3 franquistes que comen\u00e7a al port d\u2019Alacant al final de la Guerra Civil. &#8216;Salen las lobas&#8217;, \u00f2pera prima de Claudia Estrada Tarasc\u00f3, graduada en Comunicaci\u00f3 Audiovisual al campus de Gandia de la Universitat Polit\u00e8cnica de Val\u00e8ncia, arriba despr\u00e9s del seu pas per la Seminci amb la hist\u00f2ria d\u2019un grup d\u2019adolescents d\u2019un centre de menors unides pel trap. I la Mostra acollir\u00e0 <strong>l\u2019estrena de &#8216;Facundo Mart\u00ednez, de Mislata a Kioto&#8217;, de Mar Navarro Herraiz<\/strong>, amb m\u00fasica d\u2019Isabel Latorre, un retrat del constructor que va deixar empremta en la Val\u00e8ncia dels anys seixanta i setanta i els admiradors del qual <strong>presumeixen amb orgull de viure en un \u00abFacundo\u00bb<\/strong>.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph --><strong>La Cabina: el dol, la vellesa i els vincles femenins<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->Tampoc faltar\u00e0 a la cita la secci\u00f3 de migmetratges La Cabina, que l\u2019any passat es va integrar com a secci\u00f3 competitiva i va recuperar l\u2019esperit del festival celebrat a Val\u00e8ncia des de 2008, que s\u2019havia consolidat com un dels referents mundials en l\u2019exhibici\u00f3 de produccions d\u2019entre 30 i 60 minuts de duraci\u00f3, un format tradicionalment marginat en els circuits comercials i en els festivals generalistes.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->En aquesta edici\u00f3, La Cabina presenta deu migmetratges, tots estrenes a Espanya, que es projectaran entre el 6 i el 13 de novembre als Cines Babel. Amb <strong>t\u00edtols de Fran\u00e7a, Gr\u00e8cia, el L\u00edban, Portugal i el Marroc, i amb un clar protagonisme femen\u00ed: set de les deu pel\u00b7l\u00edcules estan dirigides o codirigides per dones<\/strong>.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->El dol, la vellesa i els vincles femenins travessen bona part de la selecci\u00f3. <strong>&#8216;Au bain des dames&#8217;, de Margaux Fournier<\/strong>, guanyadora del C\u00e9sar al millor curtmetratge documental, ofereix una mirada sense prejudicis a un grup de jubilades que es reuneixen cada dia en una platja de Marsella per a parlar d\u2019amor, sexe i del pas del temps. L\u2019actriu <strong>Victoire Du Bois<\/strong> (que ha treballat amb directors de la talla de Luca Guadagnino o Christophe Honor\u00e9) debuta en la direcci\u00f3 amb <strong>&#8216;A Bitter End&#8217;<\/strong>, un drama intimista sobre una dona en crisi existencial. <strong>&#8216;Ch\u00e8re Marcelle&#8217;, de Juliette Marr\u00e9cau,<\/strong> segueix quatre amigues que intenten salvar la seua amistat del silenci, mentre que <strong>Anna Borie<\/strong>, en <strong>&#8216;\u00c0 Rosa&#8217;,<\/strong> retrata una adolescent d\u2019una fam\u00edlia d\u2019ostricultors davant la mort de son pare. <strong>&#8216;Two Tetas&#8217;, de Lynn El Safah<\/strong>, premi al millor curtmetratge en el Festival Internacional del Caire, retrata dues germanes libaneses que han fet de la negaci\u00f3 la seua manera de sobreviure a la guerra i al pas del temps. De la identitat i la mem\u00f2ria durant la guerra parla <strong>&#8216;Casting for a Film: Ihsan&#8217;s Diary&#8217;<\/strong>, en qu\u00e8 l\u2019artista libanesa <strong>Lamia Joreige<\/strong>, estrenada en el Forum Expanded de la Berlinale, converteix un c\u00e0sting a Beirut en una reflexi\u00f3 sobre la Primera Guerra Mundial i el terrible present que assola la regi\u00f3.<\/p>\r\n<!-- \/wp:paragraph -->\r\n<p><!-- wp:paragraph -->Per la seua banda, despr\u00e9s de participar en la Quinzena de Cineastes de Cannes i d\u2019obtindre el premi Jean Vigo al millor curtmetratge, <strong>Sa\u00efd Hamich Benlarbi<\/strong> viatja al sud de Marr\u00e0queix amb un saur\u00ed vidu i turmentat que busca un ocell m\u00edtic en l\u2019evocadora <strong>&#8216;\u00c0 la recherche de l&#8217;oiseau gris aux rayures vertes&#8217;.<\/strong> El fant\u00e0stic s\u2019insinua en les cintes gregues <strong>&#8216;Ludyas&#8217;, d\u2019Akis Polizos, i &#8216;The Great Organ&#8217;, de Michalis Kimonas i Roxanne Krimizi<\/strong>, en retrats \u00edntims de la solitud que afecta la inf\u00e0ncia i les persones amb problemes de salut mental, respectivament. Mentrestant, el portugu\u00e9s <strong>Miguel Munh\u00e1<\/strong>, que tamb\u00e9 presenta el seu projecte &#8216;Capricorn Syndrome&#8217; a Val\u00e8ncia Film Afers, explora en l\u2019assaig po\u00e8tic <strong>&#8216;P\u00e1ssaro Azul&#8217;<\/strong> com la mem\u00f2ria familiar queda inscrita en el cos.<\/p>","protected":false},"excerpt":{"rendered":"<p>La Cabina oferir\u00e0 deu estrenes internacionals procedents de Fran\u00e7a, Gr\u00e8cia, el L\u00edban, Portugal i el Marroc La secci\u00f3 Xaloc de la 41a Mostra de Val\u00e8ncia-Cinema [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":33602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-33605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nanni Moretti, l\u2019\u00d3s d\u2019Or d\u2019\u0130lker \u00c7atak i quatre films espanyols lluitaran pel Premi del P\u00fablic de Mostra de Val\u00e8ncia - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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