{"id":3211,"date":"2019-09-03T16:49:55","date_gmt":"2019-09-03T14:49:55","guid":{"rendered":"https:\/\/lamostradevalencia.com\/tres-classics-de-mario-monicelli\/"},"modified":"2019-09-03T16:55:18","modified_gmt":"2019-09-03T14:55:18","slug":"tres-classics-de-mario-monicelli","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/tres-classics-de-mario-monicelli\/","title":{"rendered":"TRES CL\u00c0SSICS DE MARIO MONICELLI"},"content":{"rendered":"\n

En 1972, la desapareguda editorial madrilenya Novelas y Cuentos va publicar un volum titulat \u201cEntrevistes amb directors de cinema itali\u00e0\u201d i signat pel periodista logrony\u00e9s Jos\u00e9 \u00c1ngel Cortes. Un dels seus protagonistes era Mario Monicelli, qui comentava tres dels seus t\u00edtols m\u00e9s famosos, inclosos en el cicle que Mostra de Val\u00e8ncia-Cinema del Mediterrani dedica a l’edat d’or de la com\u00e8dia italiana. Aix\u00ed parlava de Rufuf\u00fa<\/strong> (I soliti ignoti, 1958), La gran guerra<\/strong> (La grande guerra, 1959) i L’armada Brancaleone<\/strong> (L\u2019armata Brancaleone, 1966).<\/p>\n\n\n\n

\"\"
Rufuf\u00fa<\/figcaption><\/figure>\n\n\n\n

RUFUF\u00da<\/strong><\/p>\n\n\n\n

\u201cUns anys abans havia fet Gu\u00e0rdies i lladres (1951). Era bastant semblant, tamb\u00e9 prenia a uns pispes i els atorgava humanitat, tractant-los amb cert afecte. No com a delinq\u00fcents, sin\u00f3 com a v\u00edctimes de la societat. Amb un tractament humor\u00edstic, fent que el p\u00fablic am\u00e9s a aquests personatges. En Rufuf\u00fa<\/strong> fins i tot vaig tindre una gran baralla amb el productor a causa de Vittorio Gassman, que en aquells dies era un actor dram\u00e0tic a qui no tots acceptaven. Vaig invertir un any a trobar a alg\u00fa que volguera fer la pel\u00b7l\u00edcula. Volien imposar-me a Alberto Sordi, per\u00f2 jo vaig insistir en Gassman. Volien un final feli\u00e7 i jo pretenia el contrari. Encara sort que la pel\u00b7l\u00edcula va ser un \u00e8xit comercial\u201d.<\/p>\n\n\n\n

\"\"
La gran guerra<\/figcaption><\/figure>\n\n\n\n

LA GRAN GUERRA<\/strong><\/p>\n\n\n\n

\u201cUn dels meus objectius \u00e9s partir de situacions dram\u00e0tiques i no tractar-les com a tals, sin\u00f3 traure d’elles el que tenen d’humor\u00edstic i sat\u00edric, deixant una s\u00e8rie de detalls en relleu, que seran els punts de contrast entre la realitat i l’esperit c\u00f2mic del film. La gran guerra<\/strong> \u00e9s el t\u00edpic exemple. Fins llavors, la Primera Guerra Mundial havia sigut tractada a It\u00e0lia com una cosa intocable: tots els soldats eren entusiastes, etc., cosa que, per contra, era falsa. Van participar milions d’homes, el noranta per cent dels quals no sabien per qu\u00e8 anaven a lluitar. Eren llauradors i no els importava combatre contra \u00c0ustria o Alemanya. Era gent humil, a qui se li va posar un gal\u00f3 i se li va espentar a les trinxeres. Quatre anys de massacre injustificada. Jo he volgut donar aquesta imatge, fins llavors in\u00e8dita a It\u00e0lia. Aqueixa esp\u00e8cie de contemplaci\u00f3 del sofriment, sobre l’incomprensible d’aquest conflicte. I l’he donada en clau humor\u00edstica. Hi ha hagut una campanya en contra de la pel\u00b7l\u00edcula, sobretot des d’alguns peri\u00f2dics. Fins i tot va haver-hi comandaments militars que es van enfrontar amb mi\u201d.<\/p>\n\n\n\n

\"\"
La armada Brancaleone<\/figcaption><\/figure>\n\n\n\n

LA ARMADA BRANCALEONE<\/strong><\/p>\n\n\n\n

\u201c\u00c9s una s\u00e0tira molt virulenta de les hist\u00f2ries de cavalleries, tal com ens les han ensenyades a l’escola: La princesa, els cavallers\u2026 Jo els presente com uns b\u00e0rbars desgraciats que no es llavaven ni tenien cap classe de civilitzaci\u00f3. \u00c9s una armada integrada per gent que no t\u00e9 respecte per la vida dels altres, perqu\u00e8 l’\u00fanica cosa que t\u00e9 \u00e9s por. \u00c9s una desmitificaci\u00f3 de l’\u00e8poca. Una visi\u00f3 real, allunyada de la tradici\u00f3 pict\u00f2rica i de l’ensenyament acad\u00e8mic. Hi ha un torneig de miserables entre quatre barraques, com un partit de futbol jugat per afeccionats dolents i pobres\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

En 1972, la desapareguda editorial madrilenya Novelas y Cuentos va publicar un volum titulat \u201cEntrevistes amb directors de cinema itali\u00e0\u201d i signat pel periodista logrony\u00e9s […]<\/p>\n","protected":false},"author":1,"featured_media":3198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[1041,1042,1052,464],"class_list":["post-3211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies","tag-comedia","tag-italia","tag-mario-monicelli","tag-mostra-de-valencia"],"yoast_head":"\nTRES CL\u00c0SSICS DE MARIO MONICELLI<\/title>\n<meta name=\"description\" content=\"El director itali\u00e0, en les seues pr\u00f2pies paraules\" \/>\n<meta name=\"robots\" content=\"index, follow, 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