{"id":30718,"date":"2025-10-30T19:51:38","date_gmt":"2025-10-30T18:51:38","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=30718"},"modified":"2025-10-30T19:52:57","modified_gmt":"2025-10-30T18:52:57","slug":"dos-mirades-sobre-la-llibertat-la-identitat-i-la-resistencia-enfront-dels-sistemes-opressius-arriben-a-la-mostra","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/dos-mirades-sobre-la-llibertat-la-identitat-i-la-resistencia-enfront-dels-sistemes-opressius-arriben-a-la-mostra\/","title":{"rendered":"Dos mirades sobre la llibertat, la identitat i la resist\u00e8ncia enfront dels sistemes opressius arriben a la Mostra"},"content":{"rendered":"
\u2018The Flying Meatball Maker\u2019 de Rezan Ye\u015filba\u015f y \u2018Cinema Jazireh\u2019, de G\u00f6zde Kural <\/span><\/i>competeixen per la Palmera d’Or<\/span><\/i><\/h5>\n

Despr\u00e9s d\u2019un exit\u00f3s recorregut per festivals internacionals, les dos cintes que arriben a la Secci\u00f3 Oficial de la M<\/span>ostra de Val\u00e8ncia \u2013 Cinema del Mediterrani <\/b>reflecteixen la vitalitat i la diversitat del cinema turc contemporani.<\/span><\/p>\n

El director <\/span>Rezan Ye\u015filba\u015f<\/b>, acompanyat de l\u2019actriu <\/span>Selin Yeninci<\/b> i del productor <\/span>Mustafa Dak<\/b>, ha presentat <\/span>\u2018The Flying Meatball Maker\u2019<\/b>. En ella narra la hist\u00f2ria de Kadir, un cuiner de mandonguilles, pare de tres fills, amb un desig irrefrenable en la seua vida: volar en parapent. Per a aix\u00f2, haur\u00e0 de desafiar la tradici\u00f3, la seua fam\u00edlia i fins i tot les condicions climatol\u00f2giques adverses, com la falta de vent.<\/span><\/p>\n

La hist\u00f2ria, que va valdre a <\/span>Nazmi Kirik<\/b> el premi al <\/span>Millor Actor<\/b> en el passat <\/span>Festival d\u2019Istanbul<\/b>, est\u00e0 basada en un personatge real. \u201c<\/span>Aquesta hist\u00f2ria est\u00e0 inspirada en un senyor kurd que volia volar. La idea em va par\u00e9ixer fascinant per desenvolupar un relat i fer una pel\u00b7l\u00edcula, aix\u00ed que vaig anar a con\u00e9ixer-lo<\/b>\u201d, ha explicat Rezan Ye\u015filba\u015f. Tot i aix\u00f2, la pel\u00b7l\u00edcula construeix el seu propi univers narratiu: \u201cNo \u00e9s la seua biografia, per\u00f2 constru\u00efm un m\u00f3n ficcional inspirat en ell\u201d.<\/span><\/p>\n

Les relacions familiars s\u00f3n un altre dels pilars del llargmetratge. Segons <\/span>Selin Yeninci<\/b>, \u201cla pel\u00b7l\u00edcula <\/span>parla sobre els somnis que es poden fer realitat, per\u00f2 tamb\u00e9 \u00e9s una hist\u00f2ria d\u2019amor, <\/b>ja que l\u2019esposa del protagonista l\u2019aplega en el seu desig i ha d\u2019enfrontar-se a les xafarderies\u201d. El retrat del seu personatge, afegeix l\u2019actriu, \u00e9s tamb\u00e9 un reflex del rol de la dona al seu pa\u00eds: \u201cA Turquia, cada dona ha de trobar el seu espai individual, per\u00f2 abans ha de tindre un equilibri amb la casa, el marit, els fills i despr\u00e9s el seu propi lloc per a ella mateixa. L\u2019amor \u00e9s el que sost\u00e9 tot aix\u00f2\u201d.<\/span><\/p>\n

Ye\u015filba\u015f<\/b> ha recordat, amb emoci\u00f3, que \u201cel personatge que va inspirar el protagonista i la seua fam\u00edlia van morir en el terratr\u00e9mol de Turquia per la mala construcci\u00f3 dels habitatges. Era un home ple de vitalitat que ens estar\u00e0 veient ara des del cel\u201d.<\/span><\/p>\n

Per al director, l\u2019acte de volar transcendeix all\u00f2 f\u00edsic per convertir-se en una met\u00e0fora de llibertat: \u201cEl protagonista intenta una i altra vegada volar. Jo, com a director, intente volar fent cinema. Eixe sentiment compartit est\u00e0 en tota la pel\u00b7l\u00edcula, i de fet, tots perseguim eixe alleujament, eixa sensaci\u00f3 d\u2019alliberament\u201d.<\/span><\/p>\n

Ye\u015filba\u015f<\/b> afirma sentir-se atret per les hist\u00f2ries senzilles que amaguen profunditat: \u201c<\/span>M\u2019encanten les hist\u00f2ries aparentment simples perqu\u00e8 dins de la simplicitat sempre hi ha dificultat. M\u2019agrada adoptar una visi\u00f3 objectiva, no jutjar els meus personatges.<\/b> Al meu pa\u00eds estem vivint molts canvis i s\u2019estan perdent tradicions, i m\u2019agrada escriure sobre aix\u00f2\u201d.<\/span><\/p>\n

Quant al desenlla\u00e7, el cineasta defensa un final obert: \u201cNo m\u2019agraden els punts i finals en les pel\u00b7l\u00edcules; m\u2019agrada que el p\u00fablic es quede pensant, que siga un final obert, ja que una vegada ens creem el personatge, \u00e9s l\u2019espectador qui ha d\u2019omplir les possibilitats que aquest t\u00e9 de continuar\u201d.<\/span><\/p>\n

Conscienciar sobre la situaci\u00f3 de les dones afganeses<\/b><\/p>\n

Per la seua banda, la directora <\/span>G\u00f6zde Kural<\/b> i el productor <\/span>Bulut Reyhanoglu<\/b> han arribat a Val\u00e8ncia amb <\/span>\u2018Cinema Jazireh\u2019<\/b>, una pel\u00b7l\u00edcula que aborda la hist\u00f2ria de <\/span>Leyla<\/b>, una dona afganesa que sobreviu a la massacre de la seua fam\u00edlia i empr\u00e9n la cerca desesperada del seu fill desaparegut. En un pa\u00eds on ser dona equival a ser invisible, decideix disfressar-se d\u2019home per a poder moure\u2019s amb llibertat. El seu viatge la porta a descobrir una xarxa d\u2019explotaci\u00f3 infantil que utilitza un fals cinema \u2014el <\/span>Cinema Jazireh<\/b> del t\u00edtol\u2014 com a tapadora per a segrestar joves i prostituir-los.<\/span><\/p>\n

Inspirada en dues pr\u00e0ctiques reals de la regi\u00f3 \u2014el <\/span>Bacha Posh<\/b>, en la qual les xiquetes s\u00f3n criades com a h\u00f2mens, i el <\/span>Bacha Bazi<\/b> o \u201cxiquets ballarins\u201d, en la qual menors s\u00f3n travestits per a ser prostitu\u00efts\u2014, la directora busca un enfocament \u00edntim i pol\u00edtic sobre la vida sota el r\u00e8gim talib\u00e0. \u201c<\/span>No volia contar una sola hist\u00f2ria, sin\u00f3 un xicotet univers de records i resili\u00e8ncia. El cinema \u00e9s el lloc on convergeixen eixes vides, on l\u2019esperan\u00e7a encara pot apar\u00e9ixer fins i tot en els llocs m\u00e9s foscos<\/b>\u201d, explica <\/span>Kural<\/b>.<\/span><\/p>\n

La cineasta, que confessa haver passat molt de temps a Afganistan, afig: \u201c<\/span>La meua primera pel\u00b7l\u00edcula la vaig rodar a Kabul i aquesta \u00e9s un reflex dels meus sentiments i emocions sobre aquest pa\u00eds<\/b>\u201d. El seu vincle amb Afganistan, aclareix, \u00e9s \u201c<\/span>\u00fanicament com a \u00e9sser hum\u00e0<\/b>\u201d: \u201c<\/span>Vaig n\u00e0ixer a Turquia i all\u00ed sempre ens diuen que hem d\u2019anar a Occident, per\u00f2 jo vaig decidir anar a Orient. Afganistan \u00e9s un pa\u00eds que hem abandonat, com molts altres on hi ha guerres i \u00e9s un infern per a les dones. Volia reflectir fragments d\u2019eixes vides i destacar que hi ha esperan\u00e7a<\/b>\u201d.<\/span><\/p>\n

Kural tamb\u00e9 aprofundeix en la complexitat del g\u00e8nere i la sexualitat a Afganistan: \u201cVaig con\u00e9ixer xics involucrats en el Bacha Bazi. Molts no es veien a si mateixos com a queer, nom\u00e9s intentaven sobreviure complaent h\u00f2mens majors. Un d\u2019ells em va dir: \u2018Aquest \u00e9s el meu parad\u00eds. No tinc cap altre lloc on anar\u2019. Eixa frase est\u00e0 en la pel\u00b7l\u00edcula, perqu\u00e8 resumeix el que significa viure sense opcions\u201d.<\/span><\/p>\n

Quant a les dificultats del rodatge, Kural explica: \u201cVam rodar algunes escenes en una zona fronterera, per\u00f2 la major part es va filmar a Turquia. Hui dia, rodar a Afganistan \u00e9s quasi impossible, no sols per raons pol\u00edtiques, sin\u00f3 perqu\u00e8 la infraestructura per a l\u2019art ha sigut desmantellada. Ni tan sols els artistes locals poden treballar amb llibertat\u201d.<\/span><\/p>\n

La directora reconeix que la seua intenci\u00f3 va ser \u201c<\/span>transmetre significats confusos, perqu\u00e8 quan les coses comencen a ser opressives, la just\u00edcia ja no \u00e9s just\u00edcia i les dones ja no s\u00f3n dones; tots intenten sobreviure. Em moc en una escala de grisos sense delimitar ni el b\u00e9 ni el mal<\/b>\u201d. Amb aix\u00f2, afirma, busca \u201c<\/span>transmetre la idea de resist\u00e8ncia<\/b>\u201d.<\/span><\/p>\n

Finalment, <\/span>Kural<\/b> conclou que la seua pel\u00b7l\u00edcula pret\u00e9n conscienciar \u201c<\/span>sobre la situaci\u00f3 de les dones afganeses, la seua falta d\u2019educaci\u00f3 i de drets fonamentals, aix\u00ed com la pobresa generalitzada<\/b>\u201d.<\/span><\/p>\n

\u2018Cinema Jazireh\u2019<\/b> ha tingut una destacada traject\u00f2ria en el circuit internacional de festivals. Despr\u00e9s del seu estrena al <\/span>Festival Internacional de Adana Alt\u0131n Koza<\/b> (Turquia), la cinta va participar en la <\/span>Mostra Internacional de Cinema de S\u00e3o Paulo<\/b> (Brasil), dins de la <\/span>Competici\u00f3 de Nous Directors<\/b>. Posteriorment, va ser seleccionada en la <\/span>competici\u00f3 oficial del Karlovy Vary.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018The Flying Meatball Maker\u2019 de Rezan Ye\u015filba\u015f y \u2018Cinema Jazireh\u2019, de G\u00f6zde Kural competeixen per la Palmera d’Or Despr\u00e9s d\u2019un exit\u00f3s recorregut per festivals internacionals, […]<\/p>\n","protected":false},"author":1,"featured_media":30719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-30718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"\nDos mirades sobre la llibertat, la identitat i la resist\u00e8ncia enfront dels sistemes opressius arriben a la Mostra - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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