{"id":30635,"date":"2025-10-27T19:11:34","date_gmt":"2025-10-27T18:11:34","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=30635"},"modified":"2025-10-27T19:13:35","modified_gmt":"2025-10-27T18:13:35","slug":"dos-operes-primeres-que-exploren-la-identitat-i-els-limits-entre-el-somni-i-la-realitat-sincorporen-al-concurs-de-la-40a-mostra-de-valencia","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/dos-operes-primeres-que-exploren-la-identitat-i-els-limits-entre-el-somni-i-la-realitat-sincorporen-al-concurs-de-la-40a-mostra-de-valencia\/","title":{"rendered":"Dos \u00f2peres primeres que exploren la identitat i els l\u00edmits entre el somni i la realitat s\u2019incorporen al concurs de la 40a Mostra de Val\u00e8ncia"},"content":{"rendered":"<h5><span style=\"font-weight: 400;\">\u2018Orfeo\u2019, de l\u2019itali\u00e0 Virgilio Villoresi, i \u2018Aisha Can\u00b4t Fly Away\u2019, de l\u2019egipci Morad Mostafa<\/span><\/h5>\n<p><span style=\"font-weight: 400;\">Dues noves pel\u00b7l\u00edcules han arribat hui a competici\u00f3 per a revelar el poder del cinema com a territori d\u2019exploraci\u00f3 po\u00e8tica i social. Es tracta de \u2018Orfeo\u2019<\/span><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> de l\u2019itali\u00e0 <\/span><b>Virgilio Villoresi<\/b><span style=\"font-weight: 400;\">, i \u2018Aisha Can\u2019t Fly Away\u2019 de l\u2019egipci <\/span><b>Morad Mostafa<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Els actors <\/span><b>Giulia Maenza<\/b><span style=\"font-weight: 400;\"> i <\/span><b>Luca Vergoni<\/b><span style=\"font-weight: 400;\"> han presentat hui \u2018Orfeo\u2019 en la Secci\u00f3 Oficial, una pel\u00b7l\u00edcula que narra la hist\u00f2ria d\u2019un pianista que s\u2019enamora d\u2019una misteriosa dona que desapareix en un regne sobrenatural. Seguint-la a trav\u00e9s d\u2019una porta, el protagonista s\u2019endinsa en un m\u00f3n fant\u00e0stic i on\u00edric en qu\u00e8 la m\u00fasica i els records es converteixen en la seua guia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El primer llargmetratge de l\u2019itali\u00e0 <\/span><b>Virgilio Villoresi<\/b><span style=\"font-weight: 400;\"> \u00e9s un viatge hipn\u00f2tic que combina t\u00e8cniques artesanals, animaci\u00f3 i cinema experimental. Rodada en 16 mm i amb decorats constru\u00efts a m\u00e0, la pel\u00b7l\u00edcula evoca la m\u00e0gia del cinema cl\u00e0ssic des d\u2019una mirada contempor\u00e0nia. \u201c\u2018Orfeo\u2019 va n\u00e0ixer de la novel\u00b7la gr\u00e0fica \u2018Poema a fumetti\u2019 de <\/span><b>Dino Buzzati<\/b><span style=\"font-weight: 400;\">, una obra que em va fascinar per la seua imagineria i poder evocador\u201d, explica el cineasta. \u201cVa ser una oportunitat per a barrejar llenguatges diferents \u2014l\u2019animaci\u00f3 artesanal, el cinema experimental i les t\u00e8cniques \u00f2ptiques\u2014 en un relat simb\u00f2lic i sensorial. Volia que l\u2019espectador s\u2019embarcara en un viatge on\u00edric m\u00e9s que seguir una narrativa tradicional\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">L\u2019actor <\/span><b>Luca Vergoni<\/b><span style=\"font-weight: 400;\">, que debuta amb el seu primer paper protagonista, recorda que l\u2019aventura va comen\u00e7ar fa m\u00e9s de dos anys i mig: \u201cEl rodatge es va dur a terme \u00edntegrament en la productora de <\/span><b>Virgilio<\/b><span style=\"font-weight: 400;\">, on vam poder recrear totes les escenografies i recuperar l\u2019esperit del cinema cl\u00e0ssic. Treballar d\u2019una manera tan f\u00edsica donava la impressi\u00f3 d\u2019estar en espais molt m\u00e9s grans del que realment eren\u201d.<\/span><\/p>\n<p><b>Vergoni<\/b><span style=\"font-weight: 400;\"> destaca que el proc\u00e9s va ser \u201cpeculiar i completament nou\u201d per a ell: \u201cHe hagut de treballar amb personatges que no existien \u2014titelles, objectes, miniatures\u2014. Sabia exactament com eren totes, perqu\u00e8 l\u2019<\/span><i><span style=\"font-weight: 400;\">stop motion<\/span><\/i><span style=\"font-weight: 400;\"> requerix una precisi\u00f3 extrema: cada pla podia implicar entre quatre i huit segons d\u2019acci\u00f3, per\u00f2 tard\u00e0vem hores a rodar-lo. Era un treball de paci\u00e8ncia i coordinaci\u00f3\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tamb\u00e9 subratlla el paper essencial de la m\u00fasica en la pel\u00b7l\u00edcula: \u201cLes escenes musicals van ser concebudes quasi com a videoclips. Encara no ten\u00edem la banda sonora definitiva, per\u00f2 treball\u00e0vem ajustant el minutatge amb el compositor. Les m\u00fasiques s\u00f3n fonamentals per a entrar en el to del somni i del mite\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Per a l\u2019actor, col\u00b7laborar amb <\/span><b>Villoresi<\/b><span style=\"font-weight: 400;\"> ha sigut una experi\u00e8ncia transformadora: \u201cVirgilio \u00e9s m\u00e9s un artista que un director. La seua fantasia est\u00e0 fora del com\u00fa i del temps. Va voler demostrar que encara hi ha m\u00e0gia en el cinema m\u00e9s enll\u00e0 dels efectes digitals. No buscava comoditat, sin\u00f3 autenticitat: <\/span><i><span style=\"font-weight: 400;\">stop motion<\/span><\/i><span style=\"font-weight: 400;\">, cinema artesanal, treball manual\u2026 per aix\u00f2 el rodatge es va allargar m\u00e9s de dos anys. Per\u00f2 el resultat \u00e9s profundament personal, una pel\u00b7l\u00edcula que respira el seu univers\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Inspirat en la \u201cforma un poc boja\u201d amb qu\u00e8 Buzzati reinterpreta el mite en la seua novel\u00b7la gr\u00e0fica, Vergoni confessa que el projecte li va despertar una gran curiositat: \u201cA It\u00e0lia no \u00e9s una obra molt coneguda, per\u00f2 em semblava necessari portar-la al cinema. Vaig sentir que calia fer-ho, i que pod\u00edem retre homenatge a eixa barreja entre all\u00f2 mitol\u00f2gic i all\u00f2 contemporani\u201d.<\/span><\/p>\n<p><b>Una exploraci\u00f3 de la solitud del marginat i el seu dret a somiar<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Per la seua part, \u2018<\/span><b>Aisha Can\u2019t Fly Away<\/b><span style=\"font-weight: 400;\">\u2019, presentada pel seu director <\/span><b>Morad Mostafa<\/b><span style=\"font-weight: 400;\"> i la productora <\/span><b>Sawsan Yusuf<\/b><span style=\"font-weight: 400;\">, arriba a la <\/span><b>Mostra<\/b><span style=\"font-weight: 400;\"> amb la hist\u00f2ria d\u2019Aisha, una cuidadora sudanesa de 26 anys que viu al cor del Caire. Atrapada entre una relaci\u00f3 ambigua amb un jove cuiner egipci, les amenaces d\u2019un g\u00e0ngster que la xantatgeja per a fer un tracte immoral a canvi de seguretat i un nou treball en una llar desconeguda, la protagonista lluita per preservar la seua identitat i els seus somnis en una ciutat que no deixa espai per a la fragilitat. En la creaci\u00f3 del personatge principal, assegura el director, \u201cli vam demanar a l\u2019actriu que ocultara les seues emocions per a retenir totes les emocions i l\u2019angoixa\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mostafa, que va destacar amb el curtmetratge \u2018<\/span><b>I Promise You Paradise<\/b><span style=\"font-weight: 400;\">\u2019 \u2014guardonat amb el <\/span><b>Rail d\u2019Or<\/b><span style=\"font-weight: 400;\"> en la <\/span><b>Setmana de la Cr\u00edtica de Cannes 2023<\/b><span style=\"font-weight: 400;\">\u2014, aborda ac\u00ed la solitud i el desarrelament: \u201cFa un temps, viatjant en un autob\u00fas p\u00fablic al Caire, vaig veure una xica africana dormir amb el cap recolzat en la finestra. De sobte es va despertar plorant i cridant, va baixar sense dir ni una paraula. Aquella imatge es va quedar amb mi. Em vaig preguntar moltes vegades: quins eren els seus somnis i les seues pors?\u201d, recorda <\/span><b>Mostafa<\/b><span style=\"font-weight: 400;\"> sobre l\u2019origen de la pel\u00b7l\u00edcula. Al mateix temps, destaca que els seus dos curts anteriors parlaven tamb\u00e9 d\u2019africans migrants i que \u201cen el cinema egipci no hi ha personatges que no siguen egipcis\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El cineasta insistix que la seua obra transcendeix la tem\u00e0tica migrat\u00f2ria: \u201cNo \u00e9s nom\u00e9s una hist\u00f2ria sobre migraci\u00f3. \u00c9s una pel\u00b7l\u00edcula universal. Aisha sap que no pot viure en pau en un m\u00f3n on la pell determina el teu lloc. \u00c9s una hist\u00f2ria sobre pertinen\u00e7a, sobre el desig de ser vista. Una exploraci\u00f3 profunda de la solitud del marginat, que tot i aix\u00f2 s\u2019atrevix a somiar i a trobar llum en la foscor\u201d. Una cinta en qu\u00e8 \u201cfluctuen, a m\u00e9s, diversos g\u00e8neres com el drama social, el thriller o el terror corporal\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Respecte al t\u00edtol i la seua al\u00b7lusi\u00f3 a la impossibilitat de volar i alliberar-se de la protagonista, Mostafa assegura \u201cque encara que el final no \u00e9s esperan\u00e7ador s\u00ed que est\u00e0 obert a cap\u00edtol\u201d.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Orfeo\u2019, de l\u2019itali\u00e0 Virgilio Villoresi, i \u2018Aisha Can\u00b4t Fly Away\u2019, de l\u2019egipci Morad Mostafa Dues noves pel\u00b7l\u00edcules han arribat hui a competici\u00f3 per a revelar [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":30622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-30635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dos \u00f2peres primeres que exploren la identitat i els l\u00edmits entre el somni i la realitat s\u2019incorporen al concurs de la 40a Mostra de Val\u00e8ncia - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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