\u2018Vera Dreams of the sea\u2019 <\/strong>dins de la competici\u00f3. Un film que competeix per la Palmera d’Or amb el relat d’una mare i esposa, int\u00e8rpret de signes, que despr\u00e9s del su\u00efcidi del seu marit ha d’afrontar el pes d’opressor i amena\u00e7ador del patriarcat.<\/p>\nAmb el seu debut, Krasniqi continua, i probablement lidera, l’ona de directores de Pristina que disseccionen la situaci\u00f3 de la dona en la seua societat en les seues pel\u00b7l\u00edcules. \u201cVaig comen\u00e7ar a fer pel\u00b7l\u00edcules quan tenia 18 anys, just despr\u00e9s de la guerra per la meua obsessi\u00f3 per documentar. La documentalista irlandesa Siobhan Cleary estava fent una pel\u00b7l\u00edcula sobre la guerra de Kosovo i les dones en eixe moment i ens va ensenyar a usar les c\u00e0meres, el muntatge i el so, i eixe mateix any vam fer la nostra primera cinta \u2018Sudden Air\u2019 amb el desig de preservar la nostra ciutat natal que va desapar\u00e9ixer despr\u00e9s del bombardeig\u2019. A partir d’ac\u00ed, ha recordat, \u201cem vaig sentir atreta per aquesta mena de narraci\u00f3 que donava cabuda a totes les meues curiositats, com la literatura, la poesia, la m\u00fasica, l’arquitectura, la imatge, la investigaci\u00f3 i la hist\u00f2ria\u201d.<\/p>\n
\u2018Vera Dreams of the sea\u2019 explora diversos aspectes de la societat i la posici\u00f3 que ocupen les dones en ella, no obstant aix\u00f2 t\u00e9 una pretensi\u00f3 universal i de connectar amb p\u00fablics de tot el m\u00f3n: “El problema que a les dones se’ls negue el dret a la propietat, per exemple, no \u00e9s exclusiu de Kosovo, \u00e9s un impacte directe d’una societat regulada pel patriarcat que ha establit i inventat tradicions i cultures per a protegir aquest ordre discriminatori que no sols afecta a les dones, sin\u00f3 tamb\u00e9 a altres col\u00b7lectius\u201d.<\/p>\n
La historia de ‘Vera Dreams of the sea’ va arribar a les mans de la cineasta a trav\u00e9s de la seua amiga de la inf\u00e0ncia, la guionista Doruntina Basha: \u201cVaig llegir el gui\u00f3 en un dia i vaig saber que era el primer llargmetratge que voldria fer. Em va commoure profundament que la protagonista f\u00f3ra una dona de 60 anys la generaci\u00f3 de la qual ha sigut hist\u00f2ricament silenciada ja que rarament apareixen representades al cinema, el teatre o la literatura encara que s\u00f3n elles les que portaven el pes del canvi, per\u00f2 sempre fora dels focus\u201d.<\/p>\n
Construir el personatge de Vera, a qui dona vida l’actriu de teatre Teuta Jegeni Ajdini,<\/strong> va ser molt \u201cinteressant i desafiador\u201d segons la cineasta: \u201cEl fet que ella siga la veu dels qu\u00e8 no tenen veu i que siga l’\u00fanic do que la seua mare sorda li va poder transmetre, va generar un fil conductor molt poder\u00f3s i po\u00e8tic per al personatge de Vera, per\u00f2 tamb\u00e9 per a la hist\u00f2ria en general\u201d. Les dones com ella, pobres d’una generaci\u00f3 a una altra, \u201cvan sobreviure a moltes hostilitats gr\u00e0cies a les seues habilitats, i quan les transmeten, el que estan fent en realitat \u00e9s assegurar-se que els seus descendents seguisquen avant\u201d.<\/p>\nVera somia amb la mar, una mar que li serveix a Krasniqi per a bussejar pels pensaments i les emocions de la seua protagonista: \u201cKosovo \u00e9s un territori\u00a0sense eixida a la mar. Les nostres idees sobre la mar s\u00f3n rom\u00e0ntiques, les associem amb la tranquil\u00b7litat i la pau, com fa Vera al principi de la pel\u00b7l\u00edcula, una idea que despr\u00e9s del su\u00efcidi del seu marit es converteix en un malson. El\u00a0mar era un gran element cinematogr\u00e0fic per a bussejar en la seua psique\u201d. La pel\u00b7l\u00edcula s’allunya deliberadament dels estereotips i l’imaginari occidental respecte a aquesta part del m\u00f3n: \u201cVera havia d’estar en cada pla ja que vol\u00edem veure el m\u00f3n des de la seua perspectiva, que est\u00e0 marcada pel seu context, per\u00f2 fugim de reproduir la mirada ex\u00f2tica i carregada d’estereotips que ha alimentat el cinema balc\u00e0nic durant les \u00faltimes d\u00e8cades\u201d.<\/p>\n
\u2018Vera dreams of the sea\u2019 \u00e9s un retrat \u00edntim per\u00f2 universal de les dones. \u201cContar hist\u00f2ries sempre ha sigut un vehicle de canvi. Les pel\u00b7l\u00edcules ofereixen una visi\u00f3 molt personal de vides que mai pensem que podr\u00edem experimentar, i eixe canvi de perspectiva \u00e9s rellevant per a i pel canvi\u201d.<\/p>\n
La 37a edici\u00f3 del festival compta amb la col\u00b7laboraci\u00f3 del Institut Valenci\u00e0 de Cultura (IVC), Rambleta, Val\u00e8ncia Film Office, Barreira Arte + Dise\u00f1o i \u00c0 Punt M\u00e8dia com a mitj\u00e0 oficial.<\/p>\n
Pr\u00f2ximes projeccions\u00a0de \u2018Vera dreams of the sea\u2019 als Cines Babel
\nDiumenge 23 a les 18:00h
\nDilluns 24 a les 22:30h<\/strong><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
Estrenada al Festival de Ven\u00e8cia, la cinta \u00e9s el primer llarg de la realitzadora, que t\u00e9 com a protagonista una dona de 60 anys, una […]<\/p>\n","protected":false},"author":1,"featured_media":17283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[31],"tags":[],"class_list":["post-17282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-ca"],"yoast_head":"\n
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