GREGOR BAKOVIC, SU PROTAGONISTA, PRESENTA EN EL FESTIVAL EL DEBUT EN EL LARGOMETRAJE DE SARA KERN, QUE FORMA PARTE DE LA NUEVA OLA DE DIRECTORAS ESLOVENAS<\/p>\n
\n
La Mostra de Val\u00e8ncia ha rebut este mat\u00ed als cines Babel la segona pel\u00b7l\u00edcula a competici\u00f3: \u2018Moja Vesna\u2019, amb la qual la directora eslovena Sara Kern s’acosta al duel des de la perspectiva d’una xiqueta. L’actor iugoslau\u00a0Gregor Bakovic,<\/strong>\u00a0un dels protagonistes de la cinta, ha presentat este mat\u00ed la pel\u00b7l\u00edcula.<\/p>\nDespr\u00e9s del seu sensacional curtmetratge \u2018Good Luck Orlo!\u2019, presentat a Ven\u00e8cia en 2016, el primer llarg de Sara Kern \u00e9s un\u00a0punxant relat sobre la p\u00e8rdua i duel narrat des de la perspectiva d’una xiqueta<\/strong>. Moja, de deu anys, interpretada per Loti Kova\u010di\u010d, tracta a la seua manera de reconstruir la seua vida despr\u00e9s de la mort de la seua mare i el buit que ha deixat en tota la fam\u00edlia mentre la seua germana major, Vesna, es bolca per complet en\u00a0els concursos de poesia<\/strong>. Moja es converteix en la inesperada adulta de la seua fragmentada fam\u00edlia, tractant d’unir a la seua problem\u00e0tica germana major Vesna i al seu pare.<\/p>\nGregor Bakovic, conegut per pel\u00b7l\u00edcules com \u2018Sweet dreams\u2019 o \u2018Gone with the train\u2019, ha explicat en roda de premsa la seua experi\u00e8ncia com a actor en esta pel\u00b7l\u00edcula. Per a treballar el seu paper de pare distant i abatut va rec\u00f3rrer als seus \u201dpropis dolors interns per a transmetre’ls al seu personatge\u201d. Treballar amb Sara, ha sigut una \u201cmolt bona experi\u00e8ncia ja que\u00a0\u00e9s una directora que deixa molta llibertat als actors\u00a0<\/strong>i treballa molt amb la improvisaci\u00f3, a vegades, fins i tot massa. Es mostra molt oberta i receptiva a tot all\u00f2 que puguem aportar\u201d.<\/p>\nEl particular estil narratiu de Kern deixa moltes de les seq\u00fc\u00e8ncies de la seua pel\u00b7l\u00edcula amb punts suspensius: \u201cA Sara li agrada que siga l’espectador qui interprete i done significat final a moltes de les seues escenes, li agrada deixar oberta el suggeriment\u201d.<\/p>\n
La pel\u00b7l\u00edcula,\u00a0una coproducci\u00f3 entre Eslov\u00e8nia i Austr\u00e0lia<\/strong>, t\u00e9 un enfocament visual ideat per a donar major llibertat als actors: \u201cOptem per fer tot amb\u00a0una c\u00e0mera de m\u00e0<\/strong>\u00a0perqu\u00e8 no vol\u00edem limitar als actors amb aspectes t\u00e8cnics. Triem el format 4:3 perqu\u00e8 \u00e9s perfecte per a gravar cares i ofereix el nivell d’intimitat que vol\u00edem retratar a la casa\u201d. A m\u00e9s, \u201ccom a migrant a Austr\u00e0lia, veiem el nostre nou pa\u00eds amb altres ulls. M’interessava ficar eixes enormes platges i la for\u00e7a de l’oce\u00e0 en aquest format, per a mostrar-los de la mateixa manera en qu\u00e8 el veu la fam\u00edlia\u201d.<\/p>\nSara Kern (1989) \u00e9s una escriptora i directora nascuda a Eslov\u00e8nia i establida a Melbourne, Austr\u00e0lia. Es va graduar en direcci\u00f3 cinematogr\u00e0fica en l’Acad\u00e8mia de Teatre, Cinema, R\u00e0dio i Televisi\u00f3 de la Universitat de Ljubljana en 2013. Kern va treballar com a guionista pel Programa per a Xiquets i Joves de la Televisi\u00f3 Nacional d’Eslov\u00e8nia durant diversos anys abans de mudar-se a Austr\u00e0lia. El seu curt \u2018Good Luck Orlo\u2019, estrenat a Ven\u00e8cia es va projectar en TIFF, Chicago IFF i Seattle IFF. Kern va ser seleccionada en Cin\u00e9fondation Residence de Cannes (2018), on va desenvolupar el seu primer llargmetratge, \u2018Moja Vesna\u2019.<\/p>\n
La 37a edici\u00f3 del festival compta amb la col\u00b7laboraci\u00f3 de l\u2019Institut Valenci\u00e0 de Cultura (IVC), Rambleta, Val\u00e8ncia Film Office, Barreira Arte + Dise\u00f1o i \u00c0 Punt M\u00e8dia com a mitj\u00e0 oficial.<\/p>\n
Pr\u00f2ximes projeccions de \u2018Moja\u00a0 Vesna\u2019 dem\u00e0 dissabte 22 a les 16:00h i el dilluns 24 a les 20:00h als cine Babel<\/strong><\/p>\n<\/div>\n\n
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GREGOR BAKOVIC, SU PROTAGONISTA, PRESENTA EN EL FESTIVAL EL DEBUT EN EL LARGOMETRAJE DE SARA KERN, QUE FORMA PARTE DE LA NUEVA OLA DE DIRECTORAS […]<\/p>\n","protected":false},"author":1,"featured_media":17275,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-17279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"yoast_head":"\n
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