{"id":10246,"date":"2021-03-13T09:24:22","date_gmt":"2021-03-13T07:24:22","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?p=10246"},"modified":"2021-03-18T10:06:30","modified_gmt":"2021-03-18T08:06:30","slug":"que-es-pot-veure-en-el-canal-mostra-de-valencia-en-filmin","status":"publish","type":"post","link":"https:\/\/lamostradevalencia.com\/ca\/que-es-pot-veure-en-el-canal-mostra-de-valencia-en-filmin\/","title":{"rendered":"Qu\u00e8 es pot veure en el canal Mostra de Val\u00e8ncia en Filmin?"},"content":{"rendered":"\n

Des del passat 26 de febrer, Mostra de Val\u00e8ncia disposa d\u2019un canal en la plataforma digital Filmin. M\u00e9s de 50 pel\u00b7l\u00edcules a disposici\u00f3 del p\u00fablic al llarg de tot l\u2019any que suposen una oportunitat per a con\u00e8ixer millor la filosofia i la hist\u00f2ria d\u2019un festival centrat en la difusi\u00f3 del cine produ\u00eft en l\u2019\u00e0mbit geogr\u00e0fic i cultural del Mediterrani. <\/strong><\/p>\n\n\n\n

\"\"
The Announcement<\/figcaption><\/figure>\n\n\n\n

Mostra de Val\u00e8ncia es troba actualment en la segona etapa de la seua llarg traject\u00f2ria. Nascut en 1980, el festival va ser recuperat en 2018, despr\u00e9s de sis anys de par\u00e8ntesi. En les tres edicions celebrades des d\u2019aleshores, ha sigut porta d\u2019entrada d\u2019un gran nombre de t\u00edtols de qualitat indiscutible per\u00f2 que romanien in\u00e8dits a Espanya. Entre ells, \u201cThe Announcement<\/a>\u201d (Mahmut Fazil Coskun), com\u00e8dia turca sobre un surrealista colp d\u2019estat fallit, que va obtindr\u00e9 la Palmera d\u2019Or i els premis a Millor Gui\u00f3 i Millor Fotografia en 2019, el mateix any en qu\u00e8 \u201cSympathy for the Devil<\/a>\u201d (Guillaume de Fontenay), la recreaci\u00f3 vibrant del setge de Sarajevo de la m\u00e0 del reporter de guerra Paul Marchand, va guanyar la Palmera de Bronze. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Tamb\u00e9 han passat per la secci\u00f3 a competici\u00f3 del festival pel\u00b7l\u00edcules com ara \u201cEl milagro del mar de los Sargazos<\/a>\u201d (Syllas Tzoumerkas), un t\u00e8rbol thriller grec amb una interpretaci\u00f3 magn\u00edfica d\u2019Angeliki Papoulia, o \u201cMereces un amor<\/a>\u201d (Hafsia Herzi), un debut brillant que es va rodar amb un pressupost \u00ednfim, per\u00f2 que \u00e9s capa\u00e7 de prendre el pols a les inquietuds i sotsobres d\u2019un grup d\u2019adolescents francesos. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

La Secci\u00f3 Informativa s\u2019articula com un panorama de t\u00edtols que complementa la competici\u00f3 i amplia el focus sobre el cinema mediterrani. Per ella han passat pel\u00b7l\u00edcules com ara \u201cMare<\/a>\u201d (Andrea Staka), que oferix el retrat d\u2019una dona asfixiada pel seu entorn (interpretada per una magn\u00edfica Marija Skaricic); la grega \u201cAmerika Square<\/a>\u201d (Yannis Sakaridis), radiografia d\u2019un pa\u00eds que encara patix els efectes de la crisi econ\u00f2mica; \u201cMujeres de la vida<\/a>\u201d (Fr\u00e9d\u00e9ric Fonteyne i Anne Paulicevich), una mirada original i gens convencional al m\u00f3n de la prostituci\u00f3; i \u201cMy Favorite Fabric<\/a>\u201d (Gaya Jiji), que explora els anhels emocionals d\u2019una dona siriana durant la Primavera \u00c0rab. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Un poc d\u2019hist\u00f2ria<\/strong><\/p>\n\n\n\n

El canal Mostra de Val\u00e8ncia en Filmin no nom\u00e9s permet recuperar alguns dels t\u00edtols m\u00e9s importants exhibits pel festival al llarg dels \u00faltims tres anys, sin\u00f3 que tamb\u00e9 busseja en la hist\u00f2ria del certamen per a posar en valor la seua traject\u00f2ria. La Mostra fou, per exemple, el primer festival espanyol que va premiar al hui llorejat Bruno Dumont, qui va guanyar la Palmera d\u2019Or en 1997 amb la seua \u00f2pera prima, \u201cLa vida de Jes\u00fas<\/a>\u201d. De la mateixa manera, i en un moment en qu\u00e8 el seu cine era objecte de no poques controv\u00e8rsies, Mostra de Val\u00e8ncia fou el primer festival internacional que va recon\u00e8ixer el talent de Pedro Almod\u00f3var, i va guardonar \u201c\u00bfQu\u00e9 he hecho yo para merecer esto?<\/a>\u201d amb la Palmera de Plata i el Premi Fipresci en 1984.<\/p>\n\n\n\n

\"\"
Pedro Almod\u00f3var en la Mostra \u00a9 Garc\u00eda Poveda \u201cEl Flaco\u201d
<\/figcaption><\/figure>\n\n\n\n

Altres cineastes clau en el recorregut hist\u00f2ric del cinema mediterrani han tingut tamb\u00e9 protagonisme en el festival, com \u00e9s el cas de Costa-Gavras, que amb \u201cEd\u00e9n al Oeste<\/a>\u201d va recollir el Premi Especial del Jurat i el Premi de la Cr\u00edtica en 2009, o el portugu\u00e9s Pedro Costa, que va participar en la secci\u00f3 a competici\u00f3 l\u2019any 2000 amb \u201cEn el cuarto de Vanda<\/a>\u201d, premiada per la Millor Fotografia. <\/p>\n\n\n\n

Tamb\u00e9 va obtindr\u00e9 premi, en este cas del p\u00fablic, \u201cPeque\u00f1as mentiras sin importancia<\/a>\u201d, brillant film coral de Guillaume Canet, que va visitar Val\u00e8ncia en 2010. De fet, el cinema franc\u00e8s sempre ha tingut una important representaci\u00f3 en el festival: \u201cCarlos<\/a>\u201d, d\u2019Olivier Assayas, fou la pel\u00b7l\u00edcula inaugural de l\u2019edici\u00f3 2011; la com\u00e8dia \u201cToda la culpa es de mi madre<\/a>\u201d (C\u00e9cile Telerman), protagonitzada per Charlotte Rampling, va formar part de la Secci\u00f3 Informativa en 2009; i \u201cLa verdad<\/a>\u201d, primera coproducci\u00f3 europea de Hirokazu Kore-Eda, va passar per la mateixa secci\u00f3 en 2019 i estar\u00e0 disponible en breu en el canal. <\/p>\n\n\n\n

\"\"
Olivier Assayas, en la visita a Val\u00e8ncia<\/figcaption><\/figure>\n\n\n\n

La ribera sud, retrospectives i homenatges<\/strong><\/p>\n\n\n\n

Tampoc podia faltar en la hist\u00f2ria del festival \u201cMediterr\u00e1neo<\/a>\u201d, de Gabriele Salvatores, una pel\u00b7l\u00edcula guanyadora de l\u2019Oscar de Hollywood que resumix en el t\u00edtol la filosofia de la Mostra de Val\u00e8ncia, atenta a all\u00f2 que succe\u00efx en pa\u00efsos europeus de llarga tradici\u00f3 cinematogr\u00e0fica (Fran\u00e7a, Espanya, It\u00e0lia, Gr\u00e8cia, Turquia), per\u00f2 sempre amb la mirada posada en la ribera sud del mar que definix el seu radi d\u2019acci\u00f3 geogr\u00e0fic i cultural. Aix\u00ed, en les \u00faltimes edicions s\u2019han pogut vore pel\u00b7l\u00edcules palestines com ara \u201cOmar<\/a>\u201d (Hany Abu-Assad), algerianes com \u201cPapicha, sue\u00f1os de libertad<\/a>\u201d (Mounia Meddour) i \u201cLa batalla de Argel<\/a>\u201d (Gillo Pontecorvo) o libaneses como ara \u201cCafarna\u00fam<\/a>\u201d (Nadine Labaki), aix\u00ed com \u201cPoes\u00eda y juventud<\/a>\u201d o \u201cLa vida de Adele<\/a>\u201d, del francotunisi\u00e0 Abdellatif Kechiche, reconegut amb la Palmera d\u2019Honor en 2018.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u201cLa vida de Ad\u00e8le\u201d<\/em><\/p>\n\n\n\n

Altres guardonats amb el premi honor\u00edfic del festival el treball dels quals es pot assaborir en el canal filmin de la Mostra de Val\u00e8ncia s\u00f3n la italiana Liliana Cavani, de qui es troba disponible tant \u201cLa piel<\/a>\u201d com la seua obra m\u00e9s reconeguda, \u201cEl portero de noche<\/a>\u201d; o l\u2019escriptor grec Efthimis Filippou, responsable del gui\u00f3 en films de Yorgos Lanthimos com ara \u201cLangosta<\/a>\u201d, \u201cAlps<\/a>\u201d o \u201cCanino<\/a>\u201d, per\u00f2 tamb\u00e9 de la magn\u00edfica i menys coneguda \u201cChevalier<\/a>\u201d, on Athina Rachel Tsangari dissecciona amb precisi\u00f3 quir\u00fargica l\u2019univers mascul\u00ed.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Liliana Cavani en la Filmoteca de Val\u00e8ncia \u00a9 Yolanda Aguas<\/p>\n\n\n\n

A m\u00e9s, l\u2019oferta relacionada amb les dos retrospectives m\u00e9s recents del festival \u00e9s un aut\u00e8ntic fest\u00ed per al cin\u00e8fil. Del cicle \u201cPolar. S\u00e8rie negra a la francesa\u201d, s\u2019inclouen \u201cRififi<\/a>\u201d (Jules Dassin), \u201cNo toqu\u00e9is la pasta<\/a>\u201d (Jacques Becker), \u201cAscensor para el cadalso<\/a>\u201d, (Louis Malle) \u201cTirad sobre el pianista<\/a>\u201d (Fran\u00e7ois Truffaut), \u201cEl silencio de un hombre<\/a>\u201d (Jean-Pierre Melville), \u201cSerie negra<\/a>\u201d (Alain Corneau) i \u201c1280 almas<\/a>\u201d (Bertrand Tavernier), mentres que la selecci\u00f3 del dedicat a \u201cL\u2019edat d\u2019Or de la compedia italiana\u201d permet redescobrir o veure per primera vegada cl\u00e0ssics com ara \u201cLos in\u00fatiles<\/a>\u201d (Federico Fellini), \u201cLa escapada<\/a>\u201d (Dino Risi), \u201cTodos a casa<\/a>\u201d (Luigi Comencini), \u201cMatrimonio a la italiana<\/a>\u201d (Vittorio de Sica) i \u201cRufuf\u00fa<\/a>\u201d, \u201cLa gran guerra<\/a>\u201d i \u201cLa armada Brancaleone<\/a>\u201d (totes de Mario Monicelli).<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u201cLa escapada\u201d<\/em><\/p>\n\n\n\n

Cinema espanyol i valenci\u00e0<\/strong><\/p>\n\n\n\n

Completen el llistat t\u00edtols de producci\u00f3 espanyola que han format part de diferents seccions del festival al llarg de la hist\u00f2ria com ara \u201cKr\u00e1mpack<\/a>\u201d (Cesc Gay), els fant\u00e0stics documentals \u201cDesenterrando Sad Hill<\/a>\u201d (Guillermo de Oliveira) i \u201cUn d\u00eda m\u00e1s con vida<\/a>\u201d (Ra\u00fal de la Fuente y Damian Nenow) o films tan atractius com ara \u201cMonas como Becky<\/a>\u201d (Joaquim Jord\u00e0), \u201cMudar la piel<\/a>\u201d (Crist\u00f3bal Fern\u00e1ndez i Ana Schulz) o la com\u00e8dia \u201cNegociador<\/a>\u201d (Borja Cobeaga), aix\u00ed com diverses pel\u00b7l\u00edcules valencianes que van rebre en la Mostra de Val\u00e8ncia el primer impuls per a arribar al p\u00fablic, com ara \u201cLa isla del holand\u00e9s<\/a>\u201d (Sigfrid Monle\u00f3n), \u201cSwing, la vida de un secreto<\/a>\u201d (Miguel \u00c1ngel Font Bisier), \u201cFishbone<\/a>\u201d (Ad\u00e1n Aliaga), “Coses a fer abans de morir”<\/a> (Cristina Fern\u00e1ndez Pintado i Miguel Llorens) o \u201cUna dona amb unes ales tremendes<\/a>\u201d (Pedro P\u00e9rez Rosado).<\/p>\n","protected":false},"excerpt":{"rendered":"

Des del passat 26 de febrer, Mostra de Val\u00e8ncia disposa d\u2019un canal en la plataforma digital Filmin. M\u00e9s de 50 pel\u00b7l\u00edcules a disposici\u00f3 del p\u00fablic […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[455],"tags":[],"class_list":["post-10246","post","type-post","status-publish","format-standard","hentry","category-noticies"],"yoast_head":"\nQu\u00e8 es pot veure en el canal Mostra de Val\u00e8ncia en Filmin? - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lamostradevalencia.com\/ca\/que-es-pot-veure-en-el-canal-mostra-de-valencia-en-filmin\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Qu\u00e8 es pot veure en el canal Mostra de Val\u00e8ncia en Filmin? - Mostra de Val\u00e8ncia\" \/>\n<meta property=\"og:description\" content=\"Des del passat 26 de febrer, Mostra de Val\u00e8ncia disposa d\u2019un canal en la plataforma digital Filmin. 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