{"id":29665,"date":"2025-10-17T19:51:34","date_gmt":"2025-10-17T17:51:34","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?page_id=29665"},"modified":"2025-10-17T21:03:08","modified_gmt":"2025-10-17T19:03:08","slug":"jurat-internacional-2025","status":"publish","type":"page","link":"https:\/\/lamostradevalencia.com\/ca\/edicio-2025\/jurat-internacional-2025\/","title":{"rendered":"Jurat Internacional"},"content":{"rendered":"

[vc_row disable_element=”yes”][vc_column][vc_empty_space][vc_custom_heading text=”COMING SOON” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_empty_space height=”100px”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1760725429084{background-color: #0000FF !important;}”][vc_column][vc_empty_space][vc_custom_heading text=”SECCI\u00d3 OFICIAL” font_container=”tag:h2|text_align:center|color:%23FFFFFF” use_theme_fonts=”yes” css=””][vc_empty_space][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29773″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”GLORIA MARCH” use_theme_fonts=”yes” css=””][vc_custom_heading text=”Presidenta del Jurat Secci\u00f3 Oficial<\/strong>” font_container=”tag:div|font_size:20px|text_align:left|line_height:30px” use_theme_fonts=”yes” css=””][vc_column_text css=””]Gloria March \u00e9s llicenciada en Periodisme i actriu. Desenrotlla el seu treball en el teatre al costat de la companyia El Conde de Torrefiel amb els quals actua pels principals festivals d’Europa, i els directors I\u00f3 Iraizoz i V\u00edctor S\u00e1nchez entre altres. Protagonitza La Mort de Guillem de Carlos Marqu\u00e9s-Marcet, guardonada amb el Premi de l’Audiovisual Valenci\u00e0 a Millor Actriu i Un Futur de Cinema del festival CinemaJove en 2021. L’hem pogut vore en s\u00e8ries com a Delta o pel\u00b7l\u00edcules com La buena letra de Celia Rico. Actualment est\u00e0 en cartellera protagonitzant Mario de Guillem Mir\u00f3 i interpretant a Carmen Polo en La cena de Manuel Gomez Pereira. T\u00e9 pendent d’estrena per al 2026 Despu\u00e9s de Kim d’\u00c1ngeles Gonz\u00e1lez Sinde i En l’Eixam d’\u00d3scar Bern\u00e0rcer.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29680″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”SARA NOUR” use_theme_fonts=”yes” css=””][vc_column_text css=””]Sara Nour \u00e9s gestora cultural, directora de projectes i investigadora radicada al Caire (Egipte), amb \u00e0mplia experi\u00e8ncia en la gesti\u00f3 d’arts i cinema. Ha col\u00b7laborat amb diversos festivals internacionals de cinema i institucions culturals, entre ells el Festival Internacional de Cinema del Caire, on va participar en tasques d’organitzaci\u00f3, programaci\u00f3 i relacions amb convidats, i el Festival de Cinema del Gouna, on es va encarregar de la coordinaci\u00f3 log\u00edstica i del suport a la programaci\u00f3 art\u00edstica.<\/p>\n

A nivell regional, ha treballat amb iniciatives com Culture Resource (Al-Mawred Al-Thaqafy) per a promoure el di\u00e0leg cultural i l’intercanvi creatiu.<\/p>\n

Amb un diploma en desenrotllament cultural, Sara combina una visi\u00f3 estrat\u00e8gica amb un profund comprom\u00eds amb les arts. La seua investigaci\u00f3 explora el paper del cinema i els mitjans de comunicaci\u00f3 en la construcci\u00f3 de la representaci\u00f3 cultural, el foment de la comunicaci\u00f3 intercultural i la superaci\u00f3 d’estereotips.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29767″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”EVI KALOGIROPOULOU” use_theme_fonts=”yes” css=””][vc_column_text css=””]Evi Kalogiropoulou \u00e9s directora de cinema i artista visual establida a Atenes. El seu treball investiga temes com la inclusi\u00f3 i l\u2019exclusi\u00f3, la identitat intercultural, la representaci\u00f3 femenina en la mitologia grega antiga i els escenaris postapocal\u00edptics. El seu primer curtmetratge, Motorway 65<\/em>, va formar part de la Selecci\u00f3 Oficial del Festival de Cannes el 2021. Posteriorment, el seu curt On Xerxes\u2019 Throne<\/em> va obtindre el Premi Canal+ en la 61\u00aa Setmana de la Cr\u00edtica del mateix festival. El 2023 va rodar My Alexandria<\/em> a la ciutat d\u2019Alexandria, Egipte, com a part de la s\u00e8rie de poemes visuals de Onassis Culture inspirats en l\u2019obra de C. P. Cavafis. Este projecte, incl\u00f2s en l\u2019Archive of Desire, es va presentar a Nova York amb motiu del 160\u00e8 aniversari del naixement del poeta. El seu primer llargmetratge, GORGON\u00c0<\/em> \u2014guanyador de l\u2019Eurimages Development Award, el Cinemart Award i el ARTE Award al Cin\u00e9fondation Atelier de Cannes 2021\u2014 va tindre el seu estrena mundial a la Settimana Internazionale della Critica (SIC) de la Biennal de Ven\u00e8cia el 2025.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1760725684743{margin-top: 25px !important;background-color: #00FFFF !important;}”][vc_column][vc_empty_space][vc_custom_heading text=”LA CABINA” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=””][vc_empty_space][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29713″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”PIERRE MOUZANNAR” use_theme_fonts=”yes” css=””][vc_custom_heading text=”Presidente del Jurat La Cabina<\/strong>” font_container=”tag:div|text_align:left” use_theme_fonts=”yes” css=””][vc_column_text css=””]Pierre Mouzannar \u00e9s un cineasta liban\u00e8s. El seu curtmetratge de tesi, An Arabian Night<\/em>, va estrenar-se a Clermont-Ferrand el 2020, rebent una Menci\u00f3 Especial. El seu \u00faltim curt, Those Who Never Left<\/em>, s\u2019ha projectat internacionalment i va guanyar el Premi del Jurat a Amman. A m\u00e9s de la direcci\u00f3, ha treballat en projectes de Joanna Hadji-Thomas i Khalil Joreige, Nadine Labaki, i ha col\u00b7laborat amb el compositor Gabriel Yared.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29762″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”BANU SIVACI” use_theme_fonts=”yes” css=””][vc_column_text css=””]Banu S\u0131vac\u0131 va n\u00e0ixer a Adana l\u2019any 1987. Despr\u00e9s de graduar-se en el Departament de Pintura, va treballar com a ajudant de direcci\u00f3 en llargmetratges. G\u00fcvercin<\/em> (2018), el seu primer llargmetratge com a directora, va tindre l\u2019estrena mundial en la secci\u00f3 Generation del 68\u00e8 Festival de Cinema de Berl\u00edn i tamb\u00e9 va ser nominada a Millor Primer Film en els premis GWFF. Pigeon<\/em> va guanyar cinc premis, incloent Millor Pel\u00b7l\u00edcula i Millor Gui\u00f3 en el 33\u00e8 Festival de Cinema de Val\u00e8ncia, Millor Directora en el 22\u00e8 Festival de Cinema de Sofia i Millor Pel\u00b7l\u00edcula Juvenil en els APSA Awards 2018.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29741″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”RICCARDO SPECCHIA” use_theme_fonts=”yes” css=””][vc_column_text css=””]Riccardo Specchia, gestor cultural, periodista i investigador, treballa com a consultor i programador del Festival de Cinema de Roma i ha col\u00b7laborat amb l\u2019Institut Itali\u00e0 de Cultura de Lima i amb la Cinemovel Foundation a It\u00e0lia i Per\u00fa. Resideix a Madrid, on investiga i ensenya sobre mitjans digitals i alfabetitzaci\u00f3 medi\u00e0tica. \u00c9s autor de Finestra Andina<\/em> (Donzelli Editore, 2024), un diari de viatge i reportatge fotogr\u00e0fic sobre el Per\u00fa.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1760725693674{margin-top: 25px !important;background-color: #28ABE2 !important;}”][vc_column][vc_empty_space][vc_custom_heading text=”FINESTRA” font_container=”tag:h2|text_align:center|color:%23FFFFFF” use_theme_fonts=”yes” css=””][vc_empty_space][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29719″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”CARLOS LOUREDA” use_theme_fonts=”yes” css=””][vc_custom_heading text=”Presidente del Jurat Finestra<\/strong>” font_container=”tag:div|text_align:left” use_theme_fonts=”yes” css=””][vc_column_text css=””]Membre de l’Acad\u00e8mia de Cinema Europeu. Membre del comit\u00e9 organitzador dels Premis Fero\u00e7 de la *AICE i membre dels *Blogos d’Or. Des de 2020, Vicepresident de la *Acad\u00e9mie dones *Lumi\u00e8res que atorga els premis *Lumi\u00e8res de la cr\u00edtica internacional des de fa 30 anys a Par\u00eds. Programador, des de 2015, del festival internacional *Zinegoak i de la selecci\u00f3 de la secci\u00f3 *Industry *ZG PRO. Programador i responsable del Departament d’Activitats Educatives del Festival de Cinema Iberoameric\u00e0 de Huelva. Coordinador del comit\u00e9 de selecci\u00f3 i preparaci\u00f3 de *pitchings del D’A FILM LAB del D’A Film Festival Barcelona. Autor i creador, des de 2010, del blog \u2018Cinema Invisible\u2019 -publicat fins a 2020 en la web de Fotogrames.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29729″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”ARANZAZU CALLEJA” use_theme_fonts=”yes” css=””][vc_column_text css=””]Aranzazu Calleja \u00e9s compositora de m\u00fasica audiovisual amb una \u00e0mplia traject\u00f2ria al cinema. Llicenciada en BBAA i violinista, va ampliar la seua formaci\u00f3 musical a Barcelona i en la Berklee College of Music de Boston. En 2014 va ser seleccionada per a participar en el programa Berlinale Talents, en el 64 Festival Internacional de Cinema de Berl\u00edn. La seua metodologia reflectix la busca d’un llenguatge personal a l’hora de posar m\u00fasica a una hist\u00f2ria. El seu proc\u00e9s creatiu comen\u00e7a des de l’acostament a la fisicidad i el mat\u00e8ric de l’instrument, posant el focus en l’exploraci\u00f3 de timbres, colors, textures. Entre els seus treballs destaquen pel\u00b7l\u00edcules com El Hoyo, Cinco Lobitos, Irati o Akelarre. Per esta \u00faltima va rebre els premis Goya i Plat\u00ed a la millor m\u00fasica original al costat de Maite Arroitajauregi. Els seus projectes m\u00e9s recents s\u00f3n Marco de Jon Garan\u0303o i Aitor Arregi, Los aitas de Borja Cobeaga i Maspalomas, de Jose Mari Goenaga i Aitor Arregi, que ha format part de la secci\u00f3 oficial de la 73\u00e9 edici\u00f3 del Festival Internacional de Cinema de San Sebasti\u00e1n.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”29756″ img_size=”full” css=””][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”ANNABELLE ARAMBURU” use_theme_fonts=”yes” css=””][vc_column_text css=””]Annabelle Aramburu \u00e9s llicenciada en Ci\u00e8ncies de la Comunicaci\u00f3 per la Universitat de Lima, Per\u00fa, i t\u00e9 una \u00e0mplia experi\u00e8ncia en la ind\u00fastria cinematogr\u00e0fica. Actualment \u00e9s la coordinadora de MAFIZ \u2013 Zona d\u2019Ind\u00fastria del Festival de M\u00e0laga. T\u00e9 una llarga traject\u00f2ria com a jurat i tutora en diversos espais d\u2019ind\u00fastria i festivals iberoamericans, com SANFIC (Xile), CINEMUNDI (Brasil), ABYCINE, El Festivalito (Espanya), FICUBA (Argentina) i CINE DEL MA\u00d1ANA (Per\u00fa), entre altres. Tamb\u00e9 ha participat en ajudes a projectes per a l\u2019ICAU (Uruguai), BACA (Argentina, Espanya, Rep\u00fablica Dominicana) i s\u00e8ries de TV\/Documentals amb l\u2019INCAA (Argentina). Ha estat directora i tutora del programa d\u2019internacionalitzaci\u00f3 del documental (2016\u20132019) a l\u2019INCAA, Argentina, i ha sigut productora executiva de les seg\u00fcents obres audiovisuals: ENTRE DOS MUNDOS: LA HISTORIA DE GONZALO GUERRERO<\/em>, MADRE<\/em> i CHICAS NUEVAS 24 HORAS<\/em> (nominada a Millor Pel\u00b7l\u00edcula Documental als Goya 2016).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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