{"id":18237,"date":"2023-06-06T16:19:50","date_gmt":"2023-06-06T14:19:50","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?page_id=18237"},"modified":"2023-06-06T16:42:11","modified_gmt":"2023-06-06T14:42:11","slug":"jurat-internacional-2022","status":"publish","type":"page","link":"https:\/\/lamostradevalencia.com\/ca\/edicio-2022\/jurat-internacional-2022\/","title":{"rendered":"Jurat Internacional 2022"},"content":{"rendered":"

[vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”17032″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_column_text]<\/p>\n

EVANTHIA REBOUTSIKA (Gr\u00e8cia)<\/h3>\n

Presidenta del jurat<\/h5>\n

\u00c9s una de les m\u00e9s importants compositores gregues en el terreny de les bandes sonores i la can\u00e7\u00f3 popular, amb diversos discos d’or i de plat\u00ed. Com a violinista ha actuat en festivals de tot el m\u00f3n. Entre les seues partitures destaca la d‘<\/em>Un toque de canela<\/em> (Tassos Boulmetis, 2003), premiada al Festival de Tessal\u00f2nica. Amb la banda sonora de Mi padre y mi hijo<\/em> (Cagan Irmak, 2005) va guanyar el premi Discovery als World Soundtrack Awards i el reconeixement a score<\/em> de l’any de Radyo Bo\u011fazi\u00e7i M\u00fczik \u00d6d\u00fclleri. Distingida amb el Lle\u00f3 d’Or d’Alexandria per la seua contribuci\u00f3 cultural, tamb\u00e9 ha estat guardonada al London Greek Festival, per Letters Never Received<\/em> (Elias Demetriou, 2007), i als International Movie Awards de Roma, per The Unlost Homeland<\/em> (Eftyhia Fragou, 2021).[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”17027″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_column_text]<\/p>\n

EHAB ASSAL (Palestina)<\/h3>\n

Va comen\u00e7ar a treballar com a primer assistent de c\u00e0mera als anys 90 en m\u00e9s de trenta produccions de Hollywood com ara El otro lado de la vida <\/em>(Billy Bob Thornton, 1996), Camino al cielo<\/em> (Robert Duvall, 1997) o El dilema<\/em> (Michael Mann, 1999), a les ordres de directors de fotografia com s\u00f3n Vilmos Zsigmond, Dante Spinotti o Barry Markowitz. A Palestina va continuar el seu treball com a camar\u00f2graf al mateix temps que posava en marxa la productora Yellow Dawn, que ha participat en The Time That Remains<\/em> (Elia Suleiman, 2009) o Amazing Love<\/em> (Kevin Downes, 2012) i ha produ\u00eft diversos curtmetratges per a directors debutants. La seua primera pel\u00b7l\u00edcula com a director de fotografia va ser Omar<\/em> (Hany Abu-Assad, Roudania Hatoum, 2013), per la qual va rebre el premi Silver Frog en els Premis Camerimage 2014.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”17037″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_column_text]<\/p>\n

LANA BARIC (Cro\u00e0cia)<\/h3>\n

Llicenciada en interpretaci\u00f3 en 2005 per l’Academy of Performing Arts de Sarajevo, ha actuat en m\u00e9s de quaranta obres de teatre, pel\u00b7l\u00edcules i s\u00e8ries de televisi\u00f3, i ha collit nombrosos guardons. Despr\u00e9s d’escriure diversos curtmetratges, va debutar en el llarg amb Tereza37<\/em> (Danilo Serbedzija, 2020), que va guanyar el premi al millor gui\u00f3 al Pula Film Festival i va ser seleccionada per Cro\u00e0cia per competir als Oscar. El seu primer treball com a directora ha estat el curt Snow White<\/em> (2022), on tamb\u00e9 \u00e9s autora del gui\u00f3 i protagonista principal. Actualment treballa en Eve After The Fall<\/em>, el seu debut en la direcci\u00f3 de llargmetratges. Ha sigut vicepresidenta de la Croatian Filmmakers Association des de 2018 fins a 2022 i \u00e9s membre del Consell Audiovisual de Cro\u00e0cia.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”17042″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_column_text]<\/p>\n

MAR\u00cdA M\u00cdNGUEZ (Espanya)<\/h3>\n

Llicenciada en Periodisme i Comunicaci\u00f3 Audiovisual, es va formar a la New York Film Academy. Va comen\u00e7ar la seva carrera a la productora Conta Conta, en programes com ara Socarrats<\/em> o Autoindefinits<\/em>, abans de passar a escriure guions de llargmetratge, que han sigut seleccionats en diversos laboratoris i programes de desenvolupament. En 2019 va estrenar la seua primera pel\u00b7l\u00edcula com a guionista, Vivir dos veces<\/em> (Mar\u00eda Ripoll, 2019), que guany\u00e0 el premi Berlanga a millor gui\u00f3 i va rebre una nominaci\u00f3 als Forqu\u00e9. Tamb\u00e9 \u00e9s coguionista de la pel\u00b7l\u00edcula Amor en Polvo<\/em> (Suso Imbern\u00f3n, Juanjo Moscard\u00f3 Rius, 2019), premiada com a millor com\u00e8dia al festival Cinequest (EUA). El seu treball m\u00e9s recent \u00e9s Unicornios<\/em> (\u00c0lex Lora, 2022). \u00c9s presidenta de l’associaci\u00f3 de guionistes valencians i dona classes de gui\u00f3 a l’escola Barreira.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”17047″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_column_text]<\/p>\n

PIERRE-SIMON GUTMAN (Fran\u00e7a)<\/h3>\n

Editor adjunt de la revista de cr\u00edtica cinematogr\u00e0fica L’Avant Scene Cin\u00e9ma<\/em> i membre de Fipresci. Despr\u00e9s d’estudiar Literatura a la Sorbona, va escriure la tesi doctoral sobre el cineasta estatunidenc Michael Cimino. Ha col\u00b7laborat amb mitjans com ara 3 Couleurs<\/em>, Les Fiches du Cin\u00e9ma<\/em> i Eclipse(s)<\/em>, entre d’altres. \u00c9s professor a les seus de Par\u00eds i Brussel\u00b7les de l’ESRA (\u00c9cole Sup\u00e9rieure de R\u00e9alisation Audiovisuelle), i anteriorment va impartir classes a les universitats Paris VII i Nancy 2. \u00a0Ha dirigit diversos curtmetratges i durant anys ha format part del comit\u00e9 de selecci\u00f3 i programaci\u00f3 de la Setmana de la Cr\u00edtica del Festival de Cannes, on tamb\u00e9 ha sigut part integrant del jurat que atorga la C\u00e0mera d’Or a millor \u00f2pera prima del certamen.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”17032″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_column_text] EVANTHIA REBOUTSIKA (Gr\u00e8cia) Presidenta del jurat […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":13888,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"_uag_custom_page_level_css":"","_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"class_list":["post-18237","page","type-page","status-publish","hentry"],"yoast_head":"\nJurat Internacional 2022 - Mostra de Val\u00e8ncia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lamostradevalencia.com\/ca\/edicio-2022\/jurat-internacional-2022\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jurat Internacional 2022 - 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