{"id":17017,"date":"2022-10-13T10:47:23","date_gmt":"2022-10-13T08:47:23","guid":{"rendered":"https:\/\/lamostradevalencia.com\/?page_id=17017"},"modified":"2023-10-21T11:23:00","modified_gmt":"2023-10-21T09:23:00","slug":"jurat-internacional-2023","status":"publish","type":"page","link":"https:\/\/lamostradevalencia.com\/ca\/edicio-2023\/jurat-internacional-2023\/","title":{"rendered":"Jurat Internacional"},"content":{"rendered":"

[vc_row disable_element=”yes”][vc_column][vc_empty_space][vc_custom_heading text=”COMING SOON” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_empty_space height=”100px”][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”21821″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”MARIA HATZAKOU (Gr\u00e8cia)” use_theme_fonts=”yes”][vc_custom_heading text=”Presidenta del Jurat Internacional<\/strong>” font_container=”tag:div|font_size:20px|text_align:left|line_height:30px” use_theme_fonts=”yes”][vc_column_text]Directora, productora i m\u00fasica. Va iniciar la seua traject\u00f2ria en Haos Film, una companyia pionera fundada a Atenes per la directora Athina Rachel Tsangari. Els seus cr\u00e8dits com a productora inclouen Attenberg<\/em> (2010), Alps<\/em> (2011), The Capsule<\/em> (2012), Chevalier<\/em> (2015) o Digger<\/em> (2020). Forma part de la iniciativa d’European Film Promotion Producers on the Move del festival de Cannes i ha sigut alumna de l’institut Sundance. En 2021 va escriure i va dirigir Amygdala<\/em>, el seu primer curtmetratge, a trav\u00e9s de Merricat, una nova empresa productora. Recentment ha acabat el segon, titulat 7Hz<\/em> i es troba en desenvolupament del tercer, Starflyer<\/em>, aix\u00ed com del seu primer llargmetratge, Stringa<\/em>, coescrit amb Alexandra Matheou. Tamb\u00e9 toca la bateria en Someone Who Isn’t Em, una banda femenina grega de m\u00fasica electr\u00f2nica.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”21826″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”DIANA AL-HALABI (L\u00edban)” use_theme_fonts=”yes”][vc_column_text]Artista visual i cineasta. La seua mirada feminista i transversal va d\u2019all\u00f2 personal a all\u00f2 personal i a all\u00f2 pol\u00edtic per abordar q\u00fcestions com ara el patriarcat, la viol\u00e8ncia institucional, la burocr\u00e0cia o el colonialisme. Tamb\u00e9 est\u00e0 involucrada en iniciatives relacionades amb l’activisme i els projectes comunitaris. Amb el seu treball, pret\u00e9n desafiar les estructures de poder dominants i crear espais de resist\u00e8ncia. Les seues obres utilitzen imatges en moviment, text, performance i pintura. En 2022 dirigix el curt The Disaster Cannot Be Contained<\/em>, premiat a Beirut. En 2023 va rebre el premi IFFR RTM Pitch per a la producci\u00f3 de la seua pr\u00f2xima pel\u00b7l\u00edcula. Possee\u00efx un mestratge en Belles arts per l’Institut Piet Zwart (Rotterdam) i va gaudir durant un any de la beca del programa espacial Homework d’Ashkal Alwan (Beirut).[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”21831″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”FATMA CHERIF (Tun\u00edsia)” use_theme_fonts=”yes”][vc_column_text]Des de 2019 dirigix el Gabes Cinema Fen, festival centrat en la promoci\u00f3 del cine \u00e0rab. Va cr\u00e9ixer entre platons de cine, on es va enamorar de la creaci\u00f3 d’universos imaginaris i del seu aspecte pol\u00edtic. La seua carrera es caracteritza per la reconciliaci\u00f3 entre eixos dos mons. Despr\u00e9s d’exercir com a assistent de c\u00e0mera en diverses pel\u00b7l\u00edcules, va cursar estudis de documental cinematogr\u00e0fic en la prestigiosa escola francesa La F\u00e9mis i va dirigir Bent Eddar\/Sweet Home<\/em> (2009), I aura-t-il un printemps pour els femmes? <\/em>(2011) i Tunisie, m\u00e9moire juive<\/em> (2016). Actualment prepara el seu nou treball, un diari audiovisual on pret\u00e9n explorar records personals i arxius pol\u00edtics i hist\u00f2rics. A m\u00e9s, va formar part del comit\u00e9 art\u00edstic del Carthage Film Festival (JCC) en 2015 i del Gab\u00e8s Film Festival en 2018.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” disable_element=”yes” css=”.vc_custom_1697880176297{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”21816″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”MAR\u00cdA TR\u00c9NOR (Espanya)” use_theme_fonts=”yes”][vc_column_text]Llicenciada en Belles arts per la Real Academia de San Carlos (Val\u00e8ncia). El seu primer curtmetratge d’animaci\u00f3, \u00bfCon qu\u00e9 la lavar\u00e9?<\/em> (2004), va guanyar el premi al Millor Curtmetratge en la Mostra de Val\u00e8ncia-Cinema del Mediterrani i va ser seleccionat en nombrosos festivals internacionals, com ara Sundance o la Berlinale, on va obtindre el premi Teddy Bear. Amb el curt Exlibris<\/em> (2009) rep una nominaci\u00f3 en la 25a edici\u00f3 dels premis Goya i amb \u00bfD\u00f3nde estabas t\u00fa?<\/em> (2019) obt\u00e9 el premi al millor projecte contra la viol\u00e8ncia masclista atorgat per l’Ajuntament de Val\u00e8ncia. En l’actualitat, es troba en plena producci\u00f3 del seu primer llargmetratge, titulat Rock Bottom<\/em>, inspirat en la figura del m\u00fasic Robert Wyatt i impulsat per MIA (Mujeres en la Industria de la Animaci\u00f3n), de la qual \u00e9s s\u00f2cia.[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”yes” content_placement=”middle” css=”.vc_custom_1602687382061{margin-top: 30px !important;}”][vc_column width=”1\/3″][vc_single_image image=”21811″ img_size=”full”][\/vc_column][vc_column width=”2\/3″ css=”.vc_custom_1538664381630{padding-top: 50px !important;padding-right: 40px !important;padding-bottom: 70px !important;padding-left: 40px !important;}”][vc_custom_heading text=”MICHELA OCCHIPINTI (It\u00e0lia)” use_theme_fonts=”yes”][vc_column_text]Despr\u00e9s de treballar en diverses produccions, en 2003 viatja durant un any per Am\u00e8rica del Sud i roda el seu debut en el documental, \u00a1Viva la Pepa! (Give us back the Constitution)<\/em>, sobre la crisi argentina. Posteriorment realitza diversos reportatges relacionats amb les migracions per a RAI 2, i en 2008 dirigix a Malawi el documental sense \u00e0nim de lucre Sei Un Nero<\/em>. En 2010 escriu, dirigix i produ\u00efx a l’\u00cdndia el seu primer llarg documental, Letters from the Desert<\/em> (Eulogy to Slowness)<\/em>, que passa per 80 festivals internacionals. En 2018 coescriu i dirigix a Maurit\u00e0nia el seu primer film de ficci\u00f3, Flesh Out<\/em>, que t\u00e9 la seua premi\u00e8re<\/em> en la Berlinale i participa en un centenar de festivals, pel qual rep el premi a la Millor Direcci\u00f3 en Mostra de Val\u00e8ncia i una nominaci\u00f3 al Nastri d’Argento a Millor Direcci\u00f3.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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